The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
(_The Page oversets a table in the Countess’s
dressing-room._)
_Countess._ (_Terrified._) What will become of me?
(_Aside._)
_Count._ What noise is that?
_Countess._ I heard no noise.
_Count._ No? You must be most confoundedly absent, then.
_Countess._ (_Affecting to return his irony_) Oh, to be
sure.
_Count._ But there is somebody in your dressing-room, Madam.
_Countess._ Who should there be?
_Count._ That’s what I want to know.
_Countess._ It is Susan, I suppose, putting the chairs and
tables to rights.
_Count._ What! Your favourite woman turned house-maid! You
told me just now she was in her own room.
_Countess._ In _her_ room, or _my_ room, it is all one.
_Count._ Really, my Lady, this Susan of yours is a very
nimble, convenient kind of person.
_Countess._ Really, my Lord, this Susan of mine disturbs
your quiet very much.
_Count._ Very true, my Lady, so much that I am determined
to see her.
_Countess._ These suspicions are very much to your credit,
my Lord.
_Count._ If they are not to your discredit, my Lady, it
is very easy to remove them--But I see you mean to trifle
with me (_he goes to the Countess’s dressing-room door, and
calls_) Susan! Susan! If Susan you are, come forth!
_Countess._ Very well, my Lord! Very well! Would you have
the girl come out half undressed? She is trying on one of
my left off dresses--To disturb female privacy, in this
manner, my Lord, is certainly very unprecedented.
(_During the warmth of this dispute, Susan
comes from her own room, perceives what is
passing, and after listening long enough to
know how to act, slips, unseen by both, behind
the curtains of the bed which stands in the
Alcove._)
_Count._ Well, if she can’t come out, she can answer at
least. (_Calls_) Susan!--Answer me, Susan.
_Countess._ I say, do not answer, Susan! I forbid you to
speak a word!--We shall see who she’ll obey.
_Count._ But if you are so innocent, Madam, what is the
reason of that emotion and perplexity so very evident in
your countenance?
_Countess._ (_Affecting to laugh_) Emotion and perplexity!
Ha! ha! ha! Ridiculous!
_Count._ Well, Madam, be it as ridiculous as it may, I am
determined to be satisfied, and I think present appearances
give me a sufficient plea. (_Goes to the side of the Scenes
and calls_) Hollo! Who waits there?
_Countess._ Do, do, my Lord! Expose your jealousy to your
very servants! Make yourself and me the jest of the whole
world.
_Count._ Why do you oblige me to it?--However, Madam, since
you will not suffer that door to be opened, will you please
to accompany me while I procure an instrument to force it?
_Countess._ To be sure, my Lord! To be sure! If you please.
Public-domain text, read in full here on John Shaqi.
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