The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
_Count._ And, in order that you may be fully justified, I
will make this other door fast (_Goes to Susan’s chamber
door, locks it, and takes the key._) As to the Susan of the
dressing-room, she must have the complaisance to wait my
return.
_Countess._ This behaviour is greatly to your honor, my
Lord! (_This speech is heard as they are going through the
door, which the Count locks after him._)
(Exeunt)
_Enter_ SUSAN, _peeping as they go off, then runs to the
dressing-room door and calls_.
_Susan._ Hannibal!--Hannibal!--Open the door! Quick!
Quick!--It’s I, Susan.
_Enter_ PAGE, _frightened_.
_Page._ Oh Susan!
_Susan._ Oh my poor Mistress!
_Page._ What will become of her?
_Susan._ What will become of my marriage?
_Page._ What will become of me?
_Susan._ Don’t stand babbling here, but fly.
_Page._ The doors are all fast, how can I fly?
_Susan._ Don’t ask me! Fly!
_Page._ Here’s a window open (_runs to the window_)
Underneath is a bed of flowers; I’ll leap out.
_Susan._ (_Screams_) You’ll break your neck!
_Page._ Better that than ruin my dear Lady--Give me one
kiss Susan.
_Susan._ Was there ever seen such a young--(_Page kisses
her, runs and leaps out of the window, and Susan shrieks
at seeing him_) Ah! (_Susan sinks into a chair, overcome
with fear--At last she takes courage, rises, goes with
dread towards the window, and after looking out, turns
round with her hand upon her heart, a sigh of relief and
a smile expressive of sudden ease and pleasure._) He
is safe! Yonder he runs!--As light and as swift as the
winds!--If that Boy does not make some woman’s heart ache
I’m mistaken. (_Susan goes towards the dressing-room door,
enters, and peeps out as she is going to shut it._) And
now, my good jealous Count, perhaps, I may teach you to
break open doors another time. (_Locks herself in._)
_Enter_ COUNT, _with a wrenching iron in one hand, and
leading in the_ COUNTESS _with the other. Goes and
examines the doors._
_Count._ Every thing is as I left it. We now shall come to
an eclaircissement.
_Countess._ But, my Lord!--He’ll murder him! (_Aside._)
_Count._ Now we shall know--Do you still persist in forcing
me to break open this door?--I am determined to see who’s
within.
_Countess._ Let me beg, my Lord, you’ll have a moment’s
patience!--Hear me only and you shall satisfy your utmost
curiosity!--Let me intreat you to be assured, that, however
appearances may condemn me, no injury was intended to your
honour.
_Count._ Then there is a man?
_Countess._ No--none of whom you can reasonably entertain
the least suspicion.
_Count._ How?
_Countess._ A jest!--A meer innocent, harmless frolic, for
our evening’s diversion! Nothing more, upon my Honor!--On
my soul!
_Count._ But who--who is it?
_Countess._ A Child!
_Count._ Let us see your child!--What child?
_Countess._ Hannibal.
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