The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
_Count._ Hush!--(_Makes signs to Susan to take his part._)
My dear Rosina----
_Countess._ No, no, my Lord! I am no longer that Rosina
whom you formerly loved with such affection!--I am now
nothing but the poor Countess of Almaviva! A neglected
Wife, and not a beloved Mistress.
_Count._ Nay, do not make my humiliation too severe--(_His
suspicions again in part revive._) But wherefore, my Lady,
have you been thus mysterious on this occasion?
_Countess._ That I might not betray that headlong
thoughtless Figaro.
_Count._ What! He wrote the anonymous billet then?
_Countess._ It was without my knowledge, my Lord.
_Count._ But you were afterwards informed of it?
_Countess._ Certainly.
_Count._ Who did he give it to?
_Countess._ Basil--
_Count._ Who sent it me by a Peasant--Indeed, Mr.
Basil.--Yes, vile Thrummer, thou shalt pay for all!
_Countess._ But where is the justice of refusing that
pardon to others we stand so much in need of ourselves? If
ever I could be brought to forgive, it should only be on
condition of passing a general amnesty.
_Count._ I acknowledge my guilt.
(_The Countess stands in the middle of the
stage, the Count a little in the back ground,
as if expressive of his timidity, but his
countenance shews he is confident of obtaining
his pardon--Susan stands forwarder than either,
and her looks are significantly applicable to
the circumstances of both parties._)
_Susan._ To suspect a man in my Lady’s dressing-room!--
_Count._ And to be thus severely punished for my
suspicion!--
_Susan._ Not to believe my Lady when she _assured_ you it
was her Woman!
_Count._ Ah!----(_with affected confusion_) Deign, Madam,
once more, to repeat my pardon.
_Countess._ Have I already pronounced it, Susan?
_Susan._ Not that I heard, Madam.
_Count._ Let the gentle sentence then escape.
_Countess._ And do you merit it, ungrateful man? (_with
tenderness._)
_Count._ (_Looking at Susan, who returns his look_)
Certainly, my Lady.
_Countess._ A fine example I set you, Susan! (_The Count
takes her hand and kisses it._) Who, hereafter, will dread
a Woman’s anger?
(_Countess turns her head towards Susan, and
laughs as she says this._)
_Susan._ (_In the same tone_) Yes, yes, Madam--I
observe----Men may well accuse us of frailty.
_Count._ And yet I cannot, for the soul of me, forget the
agony, Rosina, in which you seemed to be just now! Your
cries, your tears, your----How was it possible, this being
a Fiction, you should so suddenly give it the tragic tone
of a Reality?--Ha! ha! ha!--So astonishingly natural!
_Countess._ You see your Page, and I dare say your Lordship
was not sorry for the mistake--I’m sure the sight of Susan
does not give you offence.
_Count._ Hem!--Offence! Oh! No, no, no--But what’s the
reason, you malicious little hussey, you did not come when
I called?
_Susan._ What! Undress’d, my Lord?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account