The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
_Count._ But why didn’t you answer then?
_Susan._ My Lady forbad me: and good reason she had so to
do.
_Count._ Such distraction in your countenance! (_To the
Countess_) Nay, it’s not calm even yet!
_Countess._ Oh you--you fancy so my Lord.
_Count._ Men, I perceive, are poor Politicians--Women make
Children of us----Were his Majesty wise, he would name you,
and not me, for his Ambassador.
_Enter_ FIGARO, _chearfully; perceives the Count, who
puts on a very serious air_.
_Fig._ They told me my Lady was indisposed, I ran to
enquire, and am very happy to find there was nothing in it.
_Count._ You are very attentive.
_Fig._ It is my duty so to be, my Lord. (_Turns to Susan._)
Come, come, my Charmer! Prepare for the Ceremony! Go to
your Bridemaids.
_Count._ But who is to guard the Countess in the mean time?
_Figaro._ (_Surprised_) Guard her, my Lord! My Lady seems
very well: she wants no guarding.
_Count._ From the Gallant, who was to profit by my absence?
(_Susan and the Countess make signs to Figaro._)
_Countess._ Nay, nay, Figaro, the Count knows all.
_Susan._ Yes, yes, we have told my Lord every thing.--The
jest is ended--Its all over.
_Figaro._ The jest is ended!--And its all over!
_Count._ Yes--Ended, ended, ended!----And all over--What
have you to say to that?
_Fig._ Say, my Lord!
(_The confusion of Figaro arises from not
supposing it possible the Countess and
Susan should have betrayed him, and when he
understands something by their signs, from not
knowing how much they have told._)
_Count._ Ay, say.
_Fig._ I--I--I wish I could say as much of my Marriage.
_Count._ And who wrote the pretty Letter?
_Figaro._ Not I, my Lord.
_Count._ If I did not know thou liest, I could read it in
thy face.
_Figaro._ Indeed, my Lord!--Then it is my face that lies;
and not I.
_Countess._ Pshaw, Figaro! Why should you endeavour to
conceal any thing, when I tell you we have confess’d all?
_Susan._ (_Making signs to Figaro_) We have told my Lord
of the Letter, which made him suspect that Hannibal, the
Page, who is far enough off by this, was hid in my Lady’s
dressing-room, where I myself was lock’d in.
_Figaro._ Well, well, since my Lord will have it so, and my
Lady will have it so, and you all will have it so, why then
so let it be.
_Count._ Still at his Wiles.----
_Countess._ Why, my Lord, would you oblige him to speak
truth, so much against his inclination? (_Count and
Countess walk familiarly up the stage._)
_Susan._ Hast thou seen the Page?
_Fig._ Yes, yes: you have shook his young joints for him,
among you.
_Enter_ ANTONIO, _the Gardener, with a broken Flower-pot
under his arm half drunk_.
Public-domain text, read in full here on John Shaqi.
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