The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
{{_Susan._ “Dear Madam, if you had but seen yourself when
I bounced out upon my Lord! So pale, such Terror in your
Countenance! And then your suddenly assumed tranquillity!
_Countess._ “Oh no, every Faculty was lost in my Fears.
_Susan._ “I assure your Ladyship to the contrary; in a few
Lessons you would learn to dissemble and fib with as good
a Grace as any Lady in the Land.”}}
_Countess._ And so that poor Child jumped out of the Window?
_Susan._ Without the least hesitation--as light and as
chearful as a Linnet.
_Countess._ I wish however I could convict my false Count
of his Infidelity.
_Susan._ The Page will never dare, after this, to make a
second attempt.
_Countess._ Ha!--A lucky project! I will meet him myself;
and then nobody will be exposed.
_Susan._ But suppose, Madam--
_Countess._ My Success has emboldened me, and I am
determined to try--(_Sees the Riband left on the chair_)
What’s here? My Riband! I will keep it as a Memento of the
danger to which that poor Youth--{{“Ah my Lord--Yet let
me have a care, let me look to myself, to my own Conduct,
lest I should give occasion to say--Ah my Lady!”}} (_The
Countess puts the Riband in her Pocket._) You must not
mention a Word of this, Susan, to any body.
_Susan._ Except Figaro.
_Countess._ No exceptions, he must not be told; he will
spoil it, by mixing some plot of his own with it--I have
promised thee a Portion thou knowest--these men are liberal
in their Pleasures--Perhaps I may double it for thee; it
will be Susan’s Right.
_Susan._ Your Project is a charming one, Madam, and I shall
yet have my Figaro.
[_Exit Susan, kissing the Countess’s Hand._
End of ACT II.
ACT III.
SCENE, the Great Hall.
(_A Judge’s Chair, four other Chairs, Benches with red
Baize, a Table and a Stool, with Pen, Ink and Paper._)
_Enter the_ COUNT, _dressed, and a_ SERVANT, _booted._
_Count._ Ride to Seville with all speed; enquire if the
Page has joined his Regiment, and at what o’clock precisely
he arrived; give him this Commission, and return like
lightening.
_Servant._ And if he is not there--
_Count._ Return still quicker.--Go; fly!----(_Exit
Servant_)--I was wrong to send Basil out of the way--He
might have been very serviceable--But Anger was never
wise--I scarcely know at present what I wish--When once
the Passions have obtained the Mastery, there is no Mind,
however consistent, but becomes as wild and incongruous
as a Dream--If the Countess, Susan, and Figaro should
understand each other and plot to betray me!--If the Page
_was_ shut up in her dressing-room--Oh! no!--The Respect
she bears herself--my Honor!--My Honor? And in my Wife’s
keeping?--Honor in a Woman’s possession, like Ice Cream in
the mouth, melts away in a contest of Pleasure and Pain--I
will sound Figaro, however.
_Enter_ FIGARO, _behind_.
_Figaro._ Here am I. (_Aside._)
_Count._ And if I have reason to suppose them plotting
against me, he shall marry Marcelina.
Public-domain text, read in full here on John Shaqi.
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