The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
_Figaro._ This was the language of Prophesy, and spoken of
the Doctor’s own Patients.
{{_Count._ “Silence in the Court.
_Crier._ “Silence in the Court.
_Doctor._ “Hence then, I clearly deduce (granting the
word to be _Or_) the Defendant doth hereby promise, not
only to pay the Plaintiff, but marry her _before_ he pays
her--Again, the word _Or_ doth sometimes signify
_Wherefore_, as another great and learned Poet hath it,
“_Or_ how could heav’nly Justice damn us all,
Who ne’er consented to our Father’s Fall?
“That is _wherefore_? For what reason could heavenly
Justice do such an unjust thing? Let us then substitute
the adverb _Wherefore_, and the intent and meaning of
the Promise will be incontestable; for, after reciting
an acknowledgement of the debt, it concludes with the
remarkable words, _Or_ to marry her, that is, wherefore,
for which reason, out of gratitude, for the Favour above
done me, _I will marry her_.
_Figaro._ “Oh most celebrated Doctor? Most poetic Quibbler!
“Hark with what florid Impotence he speaks,
And as his Malice prompts, the Puppet squeaks,
_Or_ at the ear of Eve, familiar Toad,
Half froth, half venom, spits himself abroad
In legal Puns, _or_ Quibbles, Quirks, _or_ Lies,
_Or_ Spite, _or_ Taunts, _or_ Rhymes, _or_ Blasphemies.
“What think you we know not Quotations, and Poets, and
_Ands_, and _Ors_, and _Whys_, and _Wherefores_.
“What Drop _or_ Nostrum, can such Plagues remove,
_Or_ which must end me, a Fool’s Wrath--_Or_ Love?
(_Pointing first to the Doctor, and then to
Marcelina_)
“We have neither forgot our Reading nor our Syntax, but can
easily translate a dull Knave into a palpable Fool--”}} My
Lord, and Gentlemen, You hear his Sophisms, Poetical, and
Conundrums, Grammatical.
_Count._ Yes, yes, we hear.
(_Count and the Counsellors rise and consult together._)
_Antonio._ I’m glad they have put an end to your prating.
_Marcelina._ Their Whisperings and wise Grimaces forebode
me no good. That Susan has corrupted the chief Judge, and
he is corrupting all the others.
_Doctor._ It looks devilish like it.
(_The Count and Counsellors resume their
seats._)
_Doublefee._ Silence in the Court.
_Crier._ Silence in the Court.
_Count._ The judgment of the Court is, that since
the validity of the promise of Marriage is not well
established, Figaro is permitted to dispose of his Person.
_Figaro._ The Day’s my own.
_Marcelina._ I thought how it would be.
_Count._ But as the Acknowledgement clearly expresses
the words, _Which sum I promise to pay the said
Marcelina-Jane-Maria-Angelica-Mustachio, or to marry her_,
the said Figaro stands condemned to pay the two thousand
Piasters to the Plaintiff, or marry her in the course of
the Day.
_Figaro._ I’m undone!
_Marcelina._ I am happy!
_Count._ And I am revenged!
Public-domain text, read in full here on John Shaqi.
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