The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
_Enter the Procession of the two Weddings. A March is
played; Doctor Bartholo and Marcelina are preceded by
Cryer of the Court, Guards, Doublefee, Counsellors, Don
Guzman; after them come Antonio, Figaro, and Susan,
followed by the Bridesmen and Maids, and a troop of
Dancers. They all salute the Count and Countess as they
pass; and after making the tour of the stage, Antonio
presents his Niece to the Count; Susan kneels, one of the
Bridemaids gives the Count the nuptial Cap; and Susan,
while the Count is placing it on her head, plucks him by
the cloak, and shews him the Note she had just before
written. He pretends to keep adjusting the Cap, and slily
reaches to take the Note, which he instantly claps in
his bosom, having previously unbuttoned himself for that
purpose. While this is transacting a Castanet-Dance is
performed. As soon as Susan rises, she purposely places
herself before the Countess, to encourage the Count to
read the Note, who accordingly steps forward, is going
to open it, and pricks his finger with the Pin, which he
plucks out and throws angrily on the floor._)
_Count._ These Women and their curst Pins.
_Figaro._ (_Aside to his Mother laughing_) The Count has
received a Billet-doux from some pretty Girl, sealed with
a Pin! This is a new fashion, which he does not seem to
admire.
(_The Count reads the Note, is exceedingly
pleased, folds it up again, and reads on the
outside, “Return the Seal;” he pretends to
walk carelessly about the stage, but is all
the while looking earnestly for the pin he had
thrown away, which he at last finds, picks up
and sticks upon his Sleeve._)
_Figaro._ (_To his Mother_) Every thing is precious that
appertains to a beloved object.--He picks up the very Pin,
you see.
(_All this while Susan and the Countess remark
what is passing with laughter, and private
looks and gestures._)
_Countess._ (_Rising_) Come with me, Susan. We shall soon
be back, my Lord. (_Aside to Susan_) Let us make haste and
exchange dresses.
(_Exeunt Countess and Susan._
{{_Crier._ “Guards! Guards!--This way, Guards! (_Places the
Guards at the door, runs up to the Count_) My Lord, here’s
Mr. Basil coming, my Lord, with the whole Village at his
heels; because he has been singing all the way he went.
_Figaro._ “Orpheus and the Brutes. But I’ll make him change
his Tune.”}}
_Enter_ BASIL _singing, followed by_ BOUNCE.
_Count._ So, Mr. Basil, what is your will and pleasure?
{{_Basil._ “After having fulfilled your Lordship’s
commands, by amusing this honest Gentleman----
_Bounce._ “Me, my Lord? I assure your Lordship he has not
amused me in the least.
_Basil._ “I now return to enforce my claims on Marcelina.
_Figaro._ “Look you, Sir--Should you venture but to cast
one look, or approach one step nearer that Lady----
Public-domain text, read in full here on John Shaqi.
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