The boy very early saw something of the world. As a little fellow his father took him with him on a pilgrimage to Maria Zell; his godfather, on another pilgrimage, pointed out to him the first railway as an uncanny bit of devil's invention; and on one occasion the eleven-year-old boy set out alone for Vienna, reaching the Imperial city after a several days' tramp. His aim was to visit the Kaiser Josef II, of whose friendliness so many stories were going about among his people. As a matter of fact, Josef II had been lying in his grave for more than sixty years, and his visitor was conducted to his mausoleum. Later, as he was again wandering in the streets and casting about how to get home (for of his travelling money--the proceeds of the sale of a lamb--only just the equivalent of the little beast's tail was left), a bearded man came up to him and offered him five florins if he would pose for half an hour in his studio. And, wonder on wonder, the water-colour which the artist painted from this sketch now hangs in the Rosegger Room at Mürzzuschlag, which is the nucleus of a future Rosegger Museum! Here also is preserved the tailor's goose, which later the boy, then in his apprenticeship, had to carry after his master; and beside it is a peasant's waistcoat--the same apprentice's claim to journeymanship! It appears that, though his brothers and sisters all became farm-workers, the Waldbauer's first-born proved to be too sickly for the ancestral calling. He was to become a priest. The parish priest of Birkfeld offered to instruct him in Latin. Peter, as a candidate for holy orders, was entrusted to the care of a peasant in that parish. After three days he ran away in the night--home-sickness was too much for him. So in 1860 he became apprentice to a master-tailor of his own district, and played his part in his itinerant trade. He worked on more than sixty farms in the neighbourhood, and in this way learned to know the life of the people in Styria more intimately than would have been possible in any other calling. The inexhaustible wealth of strange character and peasant originality and the unique acquaintance with the most ancient and characteristic native customs which Rosegger displays in his later writings, are the fruit of those years of close observation.