The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
At length Spielhagen decided to go to Leipzig to prepare for a
professorship of literature in the university. After a tour in
Thuringia, during which he saw in Ilmenau a gipsy troop which furnished
him with the character of Cziska in the _Problematic Characters_, he
again took up his study of literature and esthetics. His encounter with
Kant's philosophy and Schiller's esthetic theories led him back to
Goethe and Spinoza. In the midst of these philosophical problems, he
received one day a letter from Robert Hall Westley, an English friend
in Leipzig, "a gentleman bred and born," telling him of a vacancy in
English at the "Modernes Gesamt-Gymnasium" at that place. Spielhagen
accepted the position in 1854, and in good American fashion followed
the method of _docendo discimus_. Thus he finds himself again a
producer.
The first fruit of his critical studies during the early Leipzig
period was the completed essay _On Humor_, which was now accepted and
published by Gutzkow in _Unterhaltungen am häuslichen Herd_. This, his
first printed work, gave him new courage. His studies in English led
him again to the English and American poets. The offer of a Leipzig
firm to publish a collection of translations of American poetry added
new zest to his reading in American literature. The chief source
of his translations was Griswold's _Poets and Poetry of America_. A
specimen from Emerson's _Representative Men_ will illustrate his skill
in translating:
SPHINX.
"O tiefer und tiefer
Muss tauchen der Geist;
Weisst alles du, weisst du,
Dass gar nichts du weisst;
Jetzt zieht es dich mächtig
Zum Himmel hinan;
Bist droben du, steckst du
Dir weiter die Bahn."
These translations appeared under the title _Amerikanische Gedichte_.
In addition to selections from Bryant, Longfellow, Poe, Bayard Taylor,
and others, he translated also George William Curtis' _Nile Notes of an
Howadji_, which was published with the title _Nil-Skizzen_.
His admiration for American literature was very great, as his own words
will show: "But upon this wide, entirely original, field of poetry
what abundance, what variety of production! Palmettos grow by the side
of gnarly oaks, and the most charming and modest flora of the prairie
among the garden flowers of magic beauty and intoxicating perfume." The
American poems were followed by translations of Michelet's _L'Amour_
and other French and English works.
Public-domain text, read in full here on John Shaqi.
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