The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 06 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 06 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M52) In Annam one of the most important festivals of the year is the
festival of Têt, which falls on the first three days of the New Year. It
is devoted to the worship of ancestors. Everybody, even the poorest, must
provide a good meal for the souls of his dead at this time and must
himself eat and drink heartily. Some families, in order to discharge this
pious duty, run into debt for the whole year. In the houses everything is
put in order, washed, and scoured for the reception of the dear and
distinguished guests. A tall bamboo pole is set up in the front of every
house and allowed to stand there for seven days. A small basket containing
areca, betel, and leaves of gilt paper is fastened to the pole. The
erection of the pole is a sacred rite which no family omits to perform,
though why they do so few people can say. Some, however, allege that the
posts are intended to guide the ancestral spirits to their old homes. The
ceremony of the reception of the shades takes place at nightfall on the
last day of the year. The house of the head of the family is then decked
with flowers, and in the room which serves as a domestic chapel the altar
of the ancestors is surrounded with flowers, among which the lotus, the
emblem of immortality, is most conspicuous. On a table are set red
candles, perfumes, incense, sandal-wood, and plates full of bananas,
oranges, and other fruits. The relations crouch before the altar, and
kneeling at the foot of it the head of the house invokes the name of the
family which he represents. Then in solemn tones he recites an
incantation, mentioning the names of his most illustrious ancestors and
marking time with the strokes of a hammer upon a gong, while crackers are
exploded outside the room. After that, he implores the ancestral shades to
protect their descendants and invites them to a repast, which is spread
for them on a table. Round this table he walks, serving the invisible
guests with his own hands. He distributes to them smoking balls of rice in
little china saucers, and pours tea or spirits into each little cup, while
he murmurs words of invitation and compliment. When the ghosts have eaten
and drunk their fill, the head of the family returns to the altar and
salutes them for the last time. Finally, he takes leaves of yellow paper,
covered with gold and silver spangles, and throws them into a brazier
placed at the foot of the ancestral tablets. These papers represent
imaginary bars of gold and silver which the living send to the dead.
Cardboard models of houses, furniture, jewels, clothes, of everything in
short that the ghosts can need in the other world, are despatched to them
in like manner in the flames. Then the family sits down to table and
feasts on the remains of the ghostly banquet.(124)
Public-domain text, read in full here on John Shaqi.
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