The Great Horse; or, The War Horse: from the time of the Roman Invasion till its development into the Shire Horse.Gilbey, Walter, Sir
History
The Great Horse; or, The War Horse: from the time of the Roman Invasion till its development into the Shire Horse.
Gilbey, Walter, Sir
Horses; Horses -- Great Britain -- History; Shire horse
The accompanying portrait of Sir Walter Hungerford, Knight, of Farley
Castle, Heytesbury, is engraved from a picture in the possession of Sir
R. Hungerford Pollen, Bart., at Rodbourne, Malmesbury. Sir Walter was
the eldest son of Baron Hungerford, who was beheaded July 28th, 1541.
Upon the accession of Queen Mary, Walter Hungerford obtained a reversal
of the attainder imposed on his father, and recovered the family
estates; but the peerage was not revived. Sir Walter retired from
political life and court intrigue, and, choosing for his motto, _Amicis
Amicissimus_, devoted himself entirely to country pursuits. He became
widely known for the excellence of his stud; and the picture here
engraved bears the following inscription, “Sir Walter Hungerford,
Knight, had in Queene Elizabeth’s tyme, the Second of her Raine, for
foure yere together, a baye horse, a blacke greyhounde, a lanerett.[A]
This offer was for foure yere together, to all Eynglande, not above his
betters, he that shoulde showe the best horse for a man of armes, a
greyhounde for a hare, a haucke for the reyver, to wine III hundred
poundes, that was a hundery the poundes apese. Also he had a gerfalcon
for the herne in Her Majesty’s tyme, that he kept XVIII. yere; and
offered the lyke to flye for a hundred pounde, and were refused for
all.”
This offer of Sir Walter’s gives us the right to assume that the type
here represented was the one acknowledged at the date to be that most
approved in the English Great Horse; whilst the special function of that
horse was, still, to carry “a man of armes.” It can be seen that--though
the hair, both of the mane and legs, has been manipulated to suit the
fashion--the tail still shows the characteristic abundance. Sir Walter
Hungerford’s horse is certainly of the type of Albert Dürer’s Great
White Horse, though it shows more evidence of spirit and high action.
Instructive particulars concerning the horses of this period are to be
found in a curious little black letter volume, entitled, _The Art of
Ryding and Breaking Greate Horses_, written by Thomas Blundeville of
Newton Flotman in Norfolk, and published in 1566; a second edition of
which, “newlie corrected and amended of manie faults escaped in the
first printing” was issued in 1580; the latter including chapters on
breeding
[Illustration: SIR WALTER HUNGERFORD, KNIGHT, OF FARLEY CASTLE,
HEYTESBURY.]
horses. We may quote from Blundeville’s pages a few passages which throw
light upon our subject:--
“Some men have a breed of Great Horses, meete for warre and to
serve in the field. Others have ambling horses of a meane stature
for to journey and travel by the waie. Some again have a race of
swift runners to run for wagers or to gallop the bucke. But plane
country men have a breed only for draftes or burden.”
Public-domain text, read in full here on John Shaqi.
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