France -- Fiction; French fiction -- Translations into English; Man-woman relationships -- Fiction; Nobility -- France -- Fiction
But the fatal interests which consigned Etienne to the priesthood
returned to her mind, and she kissed the hair that the scissors of the
Church were to shear, leaving her tears upon them. Still, in spite of
the unjust compact she had made with the duke, she could not see Etienne
in her visions of the future as priest or cardinal; and the absolute
forgetfulness of the father as to his first-born, enabled her to
postpone the moment of putting him into Holy Orders.
“There is time enough,” she said to herself.
The day came when all her cares, inspired by a sentiment which seemed
to enter into the flesh of her son and give it life, had their reward.
Beauvouloir--that blessed man whose teachings had proved so precious to
the child, and whose anxious glance at that frail idol had so often made
the duchess tremble--declared that Etienne was now in a condition
to live long years, provided no violent emotion came to convulse his
delicate body. Etienne was then sixteen.
At that age he was just five feet, a height he never passed. His skin,
as transparent and satiny as that of a little girl, showed a delicate
tracery of blue veins; its whiteness was that of porcelain. His eyes,
which were light blue and ineffably gentle, implored the protection of
men and women; that beseeching look fascinated before the melody of
his voice was heard to complete the charm. True modesty was in every
feature. Long chestnut hair, smooth and very fine, was parted in the
middle of his head into two bandeaus which curled at their extremity.
His pale and hollow cheeks, his pure brow, lined with a few furrows,
expressed a condition of suffering which was painful to witness. His
mouth, always gracious, and adorned with very white teeth, wore the sort
of fixed smile which we often see on the lips of the dying. His hands,
white as those of a woman, were remarkably handsome. The habit of
meditation had taught him to droop his head like a fragile flower, and
the attitude was in keeping with his person; it was like the last grace
that a great artist touches into a portrait to bring out its latent
thought. Etienne’s head was that of a delicate girl placed upon the
weakly and deformed body of a man.
Public-domain text, read in full here on John Shaqi.
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