The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present timeChallamel, Augustin
History
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
Challamel, Augustin
Clothing and dress -- France -- History
The wives of plebeians were forbidden to wear coats like ladies, and
head-dresses of velvet. Dark colours only were permitted them, and common
materials.
But of what avail are severe laws, when broken? The stream of fashion was
in favour of splendid garments, and of all the aids that are given by
dress.
The first hand-knitted silk stockings were worn by King Henri II., at the
wedding of Marguerite of France with Emmanuel-Philibert of Savoy, in the
month of June, 1559. The common people, and even the well-to-do classes,
continued for a long time to wear stockings made of pieces of stuff sewed
together.
Extravagance and luxury pursued their way, and became more versatile and
ruinous than ever. Men and women spent their money, as well as money that
was not their own, on dress. Frenchmen and Frenchwomen seemed bent on
proving themselves absolute arbiters of fashion.
Now to hold the sceptre of taste and toilet involves obligations as
onerous as nobility itself, and to excite the admiration and envy of
coquettes is a costly privilege.
[Illustration]
CHAPTER XII.
REIGN OF CHARLES IX.
1560 TO 1574.
The wars of religion—The fashions of Italy are brought
across the Alps, and are welcomed in France—Effects of
the expeditions into Italy—Articles from Venice and Genoa
are very fashionable—A cloud of sugar-plums, and a shower
of scents—Effeminate style of dress—Charles IX. and his
Edicts against extravagant display—Fashion rebels against
sumptuary laws—Women of high rank, bourgeoises, widows,
and spinsters—Wedding dresses—Observations of a Venetian
ambassador—“Corps piqué”—Drawers—Paint—Cosmetics—Breast
mirrors, girdle mirrors—Court dresses—“Arcelets.”
Hitherto we have seen only the brilliant side of the Renaissance, so to
speak, and its multiplicity of arts, fêtes, and ceremonials conducive
to splendour and display. Let us now glance at the darker side of the
picture, at the shadows cast by the religious wars, and let us note the
results of more than one disaster.
The name of Charles IX. immediately recalls to our recollection the
Massacre of St. Bartholomew, and fills us with horror and dismay; that
of Henri III. brings before our minds the League, with its grotesque and
sanguinary incidents, and its fatal termination by the dagger of Jacques
Clement. At the same time, both reigns afford us matter of a highly
interesting nature in connexion with our subject. In no other way can
these reigns be attractive to us; nor will the horrors of those times
ever be repeated, but the fashions of the sixteenth century have, on
the contrary, already reappeared in a certain measure, and at different
periods. They will revive completely, perhaps, at some future day. There
is nothing more present, sometimes, than the past, especially in matters
of dress, as every Frenchwoman knows. Why then should not our fair
contemporaries once more attire themselves in the fashions that were so
becoming to their predecessors?
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