The history of the condition of women in various ages and nations : $b Vol. 1 (of 2), Comprising the women of Asia and AfricaChild, Lydia Maria
History
The history of the condition of women in various ages and nations : $b Vol. 1 (of 2), Comprising the women of Asia and Africa
Child, Lydia Maria
Women -- History; Women -- Social conditions
The company then shower small pieces of money on the couple, the cross
is waved, and the priests chant. All the men quit the room for a short
time, while the matrons remove a quantity of the robes and veils, under
which the bride is well nigh stifled. At a given signal, the husband is
admitted, and allowed to see, for an instant, the countenance of his
wife.
All the company then pass in. The bride is not again enveloped with the
linen veil, but her face is covered with the tinsel and gold paper. The
female guests kiss her, and put presents in her hand. After this, all
the male relations, to the remotest degree, are allowed a glance at the
bride’s face, and the favor of kissing her hand.
Feasting and amusements then commence, and continue for three days. All
this time the bride is obliged to sit motionless on the sofa; it would
be considered the height of indecorum for her even to whisper to any
one, except the old matron who accompanied her from her father’s house,
and who is generally her nurse.
Toward the end of the third day, the priest leads the bridegroom to the
bride, removes the silken strings from their brows, and carries away
the tinsel veil. The bride is now, for the first time, permitted to
speak. According to the old laws, she was not allowed to open her lips
in the presence of her mother-in-law, or her married sister-in-law,
for one year; the practice is now less rigid, but the most profound
respect, and implicit obedience, is still exacted from the bride toward
the relatives of her husband.
The marriages even of the poorest Armenians take place with all this
ceremony and parade. Cooking utensils, robes, veils, &c., are kept
stored in the churches, for the use of those who cannot afford to buy
them for the occasion.
The dress of the Armenian ladies is remarkably heavy and loaded,
and their ornaments large and massive. They have black eyes, ruddy
complexions, and in general coarse features, with little expression.
When they go out, the face is muffled up with bandages so as to show
only the eyes, and sometimes a part of the nose. In the house, as well
as abroad, and by night as well as by day, they wear a nose band, the
pressure of which makes that feature universally broad and flat. They
allow none of their hair to be seen, except a long braid that falls
down the back nearly to the ground. The custom of muffling themselves
up, so that all look nearly alike, led Tournefort to say, facetiously,
“An Armenian returning from a journey is not sure to find the same
wife; he cannot tell whether she may not be dead, and whether some
other woman may not have stepped into the place of the deceased.”
Public-domain text, read in full here on John Shaqi.
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