The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and author — John Shaqi
The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and authorWyatt, M. Digby (Matthew Digby), Sir
History
The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and author
Wyatt, M. Digby (Matthew Digby), Sir
Alphabet; Illumination of books and manuscripts; Initials
surgeon at Pompeii. One of the staves, with the papyrus rolled round it,
was held in each hand, at a distance apart equal to the width of one or
more of the transverse columns of writing. As soon as the eye was carried
down to the bottom of a column, one hand rolled up and the other unrolled
sufficient of the papyrus to bring a fresh column opposite to the reader's
eye, and so on until the whole was wound round one of the staves, when, of
course, the student had arrived at the end of his book. Eumenes, king of
Pergamus, being unable to procure the Egyptian papyrus, through the
jealousy of one of the Ptolemies, who occupied himself in forming a rival
library to the one which subsequently became so celebrated at Pergamus,
introduced the use of parchment properly "dressed" for taking ink and
pigments; and hence the derivation of the word "pergamena" as applied to
parchment or vellum; the former substance being the prepared skin of sheep,
and the latter of calves.[1]
The sheets of parchment were joined end to end, as the sheets of papyrus
had been, and when written upon, on one side only, and in narrow columns
across the breadth of the scroll, were rolled up round staves and bound
with strings, to which seals of wax were occasionally attached, in place of
the more common leaden bullæ.
The custom of dividing books into pages is said by Suetonius to have been
introduced by Julius Cæsar, whose letters to the Senate were so made up,
and after whose time the practice became usual for all documents either
addressed to, or issuing from, that body, or the emperors. As that form
subsequently crept into general use, the books were known as "codices;" and
hence the ordinary term as applied to manuscript volumes. All classes of
books, the reeds for writing in them, the inkstands, and the "capsæ" or
"scrinia," the boxes in which the "scapi" or rolls were kept, are minutely
portrayed in ancient wall-paintings and ivory diptychs. The inkstands are
generally shown as double, no doubt for containing both black and red ink,
with the latter of which certain portions of the text were written.[2]
Public-domain text, read in full here on John Shaqi.
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