"Miss-_sahib_ indeed!" interrupted Mumtâza with a forced giggle. "Who
knows she is that? Not even Pidar Narâyan."
"Wherefore?" asked Roshan coldly. "Her mother was Bonaventura-_sahib's_
child and heir. That is certain; else the Government would not have
continued the grants given to him by the Nawab."
An expression of infinite cunning crossed the old lady's face; she
tucked another budget of _pân_ into her cheek, preparatory to a lengthy
explanation.
"Not if it was payment for evidence given, by which Government could
find excuse for seizing the rest, and sending innocent people to die in
Calcutta? Thou knowest the tale, Roshan? How Pidar Narâyan said no word
when everyone was searching, after Bun-avatâr's death, for Anâri Begum,
who had disappeared, and how, when the land was being taken, he
appeared with a baby, a baptized baby, and swore it was Bun-avatâr's
lawful heir--that he himself had married them. Mayhap he did. But, look
you, Anâri was in the palace _zenâna_ ere she disappeared. Who is to
say she is not thy cousin twice over?... I say not that she is, look
you, but who can tell. Yet this is certain, Roshan; she hath Anâri
Begum's eyes. For I have seen her; but a month ago the Miss who reads
brought her, not knowing of these tales; for Pidar Narâyan keeps a
silent tongue. Her name is Laila,[3] and thine Roshan.[4] Is not that a
fate? and she hath thy grand-aunt's eyes; ay! and thy grandfather's
land too; for would it not have been Walidâd's, if Bun-avatâr had not
ousted him from the _wazeer_-ship with singing birds?"
Roshan Khân stood up feeling as if he was being suffocated. It was ten
years since he had had experience of the fine-drawn meshes of vague,
almost useless, conspiracy for which Indian women have such vast
capability; it was ten years since, with eyes open to his own
advantage, he had cast in his lot loyally with the Government he
served. In that time there had not been wanting--there never is in
India--others, less scrupulous, ready to trade on his connection with a
dispossessed family, and his possible sense of injustice. He had known
how to treat them. But this idea bit shrewdly at a feeling which men of
his stamp have inevitably--the desire for a wife more suitable to their
own culture than they can hope to find among their own people. He gave
an uneasy laugh. "These be dreams, indeed, grandmother. To begin with,
Pidar Narâyan--"
"Pidar Narâyan! Pidar Narâyan!" echoed the old diplomatist tartly, "Art
turned Hindoo, that thou dost count Narâyan[5] the Creator of all?"
Then she suddenly clapped her hands together in absolute impatience
and anger. "Yet is it true. He _is_ the cause of all! But for him
Bun-avatâr would have been as an over-fried fritter, a burst bladder,
a drum on a hen's back! But for his teaching thee to fence--"
Public-domain text, read in full here on John Shaqi.
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