Farm life -- Fiction; Love stories; New England -- Fiction
As I returned from dinner, Joe was walking the drills in the potato
field, dropping the fertilizer, and the bent form of Mike followed
immediately behind him, dropping the seed from a basket. Joe walked
with a fine, free stride, and dropped the fertilizer from his hand
with a perfectly rhythmic gesture. The father's bent back behind him
was an added touch from Millet. But the lone pine and the blue mountains
gave a bright, sharp quality to the landscape which was quite unlike
Millet. The picture held me, however, as do the Frenchman's canvases.
Even my knowledge of Mike's comfortable home and happy disposition did
not rob it of that subtle pathos of agricultural toil. Why the pathos, I
asked myself? Mike is healthy and happy. No toil is more healthful.
I'm working as hard as Mike, and having a glorious time! To be sure,
I'm working my own land, but Mike, too, has a garden of his own, yet
doubtless looks as pathetic in it. I could find no solution, unless it
be that instinctive belief of a city-bred civilization that all joys
are urban. Just then, however, Mike straightened up with a laugh, and
the pathos vanished.
"So the pathos," thought I, as I caught myself instinctively
straightening, too, "is a matter of spinal sympathy!"
This was a most comforting reflection, and I hastened to investigate Hard
Cider's morning work. The kitchen floor was ready to relay. Over the
old planking he had spread tar paper, then carefully adjusted a light,
half-inch framework, and on top of this was laying the new floor.
"Thet'll keep out the cold," he said briefly, carefully lifting the
lid of the stove and spitting into the fire pot.
I examined the framework on which he was laying the new floor. It was
as carefully jointed as if it were the floor itself.
"Why so much pains with this?" I asked, pointing with my toe.
"Why not?" Hard Cider replied, as the March Hare replied to Alice.
I was braver than Alice. "But it doesn't show," I said.
"Somebody might take the floor up," he retorted, with some scorn.
"Hard Cider, after all, is an artist," I thought. "He has the artistic
conscience--and, being a Yankee, he won't admit it."
Public-domain text, read in full here on John Shaqi.
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