The Interdependence of LiteratureCurtis, Georgina Pell
General
The Interdependence of Literature
Curtis, Georgina Pell
Comparative literature
Bodmer cultivated the English style, and retired to Switzerland with
his friends, where they founded the Swiss school. The English lyric and
elegiac poets had a wonderful influence in Germany. The followers of
this school who were, or pretended to be, poets, began to write
"Seasons" in imitation of Thomson; and the novels of the time were full
of shepherds and shepherdesses. The craze spread to France, where the
French Court took up the fad of living in rustic lodges, and Marie
Antoinette posed as a shepherdess tending sheep. Each of these poets
had numerous followers, of whom Rambler is known as the German Horace.
Frederick the Great preferred French works, and no one seems to have
thought of starting a German school except Klopstock, who stands almost
alone in the literature of his time and country. A man of lofty ideals,
he believed that Christianity on the one hand and Gothic mythology on
the other, should be the chief elements in all new European poetry and
inspiration. Had he been encouraged by the German Court he would have
been as powerful for good in German literature during the eighteenth
century, as Voltaire was powerful for evil in France. Wielland, a
friend of Klopstock, and a romantic poet, might have been the German
Ariosto had he not abandoned poetry for prose. He tried to copy the
Greek, in which he failed to excel. During this conflict in Germany
between the French and English school, German literature was much
influenced by Macpherson's Ossian, and Scotch names are found in a
great many German works of this period. The literature of Germany
attained its highest beauty and finish in the eighteenth and nineteenth
centuries; and its people may well be proud of the splendid names that
adorn that period. The Gottingen School, which embraced Goethe and
Schiller, includes love, philosophy and the classics for its theme,
with a touch of the bucolic, modelled after Virgil, as in the "Louise"
of Voss. But it remained for the Romantic School, founded by Novalis,
the two Schlegels and Tieck, to oppose the study of the classic antique
on the ground that it killed all native originality and power. They
turned to the Middle Ages, and drew from its rich stores all that was
noblest and best. The lays of the Minnesingers were revived--the true
German spirit was cultivated, and the romantic German imagination
responded readily, so that during the dark period of the French
invasion, the national feeling was preserved pure and untouched by
means of these stirring and patriotic songs of the past.
Public-domain text, read in full here on John Shaqi.
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