The Jewel House: An Account of the Many Romances Connected with the Royal Regalia: Together with Sir Gilbert Talbot's Account of Colonel Blood's PlotYounghusband, G. J. (George John)
History
The Jewel House: An Account of the Many Romances Connected with the Royal Regalia: Together with Sir Gilbert Talbot's Account of Colonel Blood's Plot
Younghusband, G. J. (George John)
Crown jewels -- Great Britain
THE ecclesiastical plate, if so it may be called, which is kept at the
Tower, appertains to religious ceremonies, chiefly in connection with
coronation of the sovereigns called upon to reign over the British
Empire and the baptism of the Royal children. But also there are pieces
of church plate which are used on certain set occasions, as is in due
course set forth. The oldest piece of plate, ecclesiastical or secular,
preserved in the Tower, is the Ampulla or Golden Eagle. This bears
distinct traces of Byzantine origin, and thus may be fourteen hundred
years old. It was for long attributed to Sir Robert Vyner, and was
supposed to have been made for the Coronation of Charles II. But recent
exact examination by experts has shown that the eagle is of a very much
earlier origin. To one skilled in such matters it is, for instance, at
once apparent that the screw with which the head is attached to the body
is of a pattern that was ancient even in the days of Charles II, and
further a close examination of the body of the eagle shows distinct
signs of Byzantine workmanship.[7] It may thus be concluded that this
eagle was used in very early days for the Coronation of English Kings.
It then was supplanted perhaps for centuries by a much more ornate and
intrinsically valuable emblem of lapis lazuli, with a golden eagle at
the top enriched with pearls and diamonds, mentioned by Mezeray. This
valuable bird has disappeared altogether, and whether it was disposed of
to meet the necessities of Charles I, or whether sold or destroyed by
the Commonwealth, is not clear. But the older eagle survived these
troublous times owing to the fortunate circumstance that it was hidden
and forgotten in the Treasure House at Westminster Abbey. Much
mutilated, and with the wings broken off, it was handed over to Sir
Robert Vyner, who restored it for the Coronation of Charles II to the
form in which we see it at present in the Tower.
The eagle, far from being of life size, is only nine inches high, and is
in truth a very poor representation of an eagle, thus further
emphasizing its ancient origin. It is, however, of solid gold hollowed
only sufficiently to contain a small quantity of holy oil. This is
introduced by unscrewing the head and pouring the oil into it, the holy
unguent being composed chiefly of olive oil and balm. Of so great a
value is it, that it is on record that James II paid no less than £200
for the small quantity required for his Coronation ceremony. The Ampulla
is the prototype of the large brass eagle which we see in many churches
bearing the Holy Bible on its back, emblematically about to fly to the
four corners of the earth carrying the sacred message of the gospel.
At the Coronation, when the moment for the anointing of the King
arrives, a small portion of the holy oil is poured into the anointing
spoon, the beak of the eagle forming the channel.
Public-domain text, read in full here on John Shaqi.
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