The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful arts — John Shaqi
The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful artsBrewster, David
Science
The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful arts
Brewster, David
Kaleidoscopes
In order to explain the effects produced upon the symmetry of the
picture by a variation in the position of the eye, we must suppose the
object to be placed at a small distance from the end of the mirror.
This position is represented in Fig. 13, where =A E= is a section of
the mirror in the direction of its length; =M N O P= an object placed
at a distance from the extremity =A= of the mirror, and _m n o p_,
its image seen by an eye to the right hand of =E=, and which, by the
principles of catoptrics, will be similar to the object and similarly
situated with respect to the mirror =A E=. Now, if the eye is placed at
ε, it will see distinctly the whole object =M N O P=, but it will only
see the portion _n r s o_ of the image cut off by drawing the line =ε
A _r_= through the extremity of the mirror, so that there cannot be a
symmetrical form produced by observing at the same time the object =M
N O P= and this portion of its image; and the deviation from symmetry
will be still greater, if =M N O P= is brought nearer the line =B A=,
for the image _m n o p_ will be entirely included between the lines =A
_r_= and =A B=, so that no part whatever of the image will be visible
to an eye at =ε=. As the eye of the observer moves from ε to _e_, the
line =ε A _r_= will move into the position =_e_ A _x_=, and when it has
reached the point =e=, the whole of the image _m n o p_ will be visible.
The symmetry, therefore, arising from the simultaneous contemplation
of the object and its image will be improved; but it will still be
imperfect, as the image will appear to be distant from the plane of the
mirror, only by the space _m x_, while the distance of the object is
=M _x_=. As the eye moves from =_e_= to =E=, the line =_e_ A _x_= will
move into =E A B=, and the object and its image will seem to be placed
at the equal distances =M B=, =_m_ B= from the plane of the mirror,
and will therefore form a symmetrical combination. When the object is
moved, and arrives at =B A= the image will touch the object, and they
will form one perfect and united whole, whatever be the shape of the
line =M P=. Hence we conclude, _that when an object is placed at a
little distance from the extremity of a plain mirror, its image formed
by reflexion from the mirror cannot unite with the object in forming a
conjoined and symmetrical picture, unless the eye is in the plane of
the mirror_.
[Illustration: FIG. 14.]
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