The Latin Hymn-writers and Their HymnsDuffield, Samuel Willoughby
Religion
The Latin Hymn-writers and Their Hymns
Duffield, Samuel Willoughby
Hymns, Latin -- History and criticism
Whether the Bishop of Poitiers had much or little learning, he wrote a
valuable book on _Synods_, and translated for us many useful and
otherwise inaccessible confessions of faith and statements of doctrine.
Erasmus—himself no brave man, nor one likely to estimate moral courage
properly—calls this letter to Abra “_nugamentum hominis otiose
indocti_”—the trifling production of a man lazily uneducated! Well,
perhaps it would have been as well if some of that same “luxurious
ignorance” of Hilary could have secured the “laborious learning” of
Erasmus from exhibiting, at the end of life, its own inefficiency.
Jerome said that whoever found fault with Hilary’s knowledge was
compelled to concede his philosophic skill; and it reminds one of the
remark of Dante Rossetti, who said that nothing in our age could stand
comparison with a sonnet of Shakespeare, for, rough as it might seem,
_Shakespeare wrote it_. It was this manhood behind the Latin which went
for more than all Rotterdam!
Hilary is credited with a great deal, doubtless, that he never wrote. So
he is, by Fortunatus, with miracles which he never performed. Alcuin and
others assign to him the _Gloria in Excelsis_, but this was certainly
more ancient than Hilary, being quoted by Athanasius in his treatise on
Virginity. He could at best merely have translated it. This he might
also have done for the _Te Deum laudamus_. And since we know that he
prepared a _Liber Hymnorum_—the first actual hymn-book of the Western
Church—we have some reason to think that he would not have altogether
forgotten the greatest chants of the early Christians. This hymn-book is
utterly lost to us. This is not the same as the _Liber Mysteriorum_—the
book of the mysteries—and its existence, like that of its companion
work, rests upon the testimony of Jerome. Doubtless in it there were
other poems and songs from which the Hilarian authorship has been broken
or lost. It was not the ancient custom either to preserve the author’s
name, or even to retain the precise form of his hymn. He threw his
little lyric—as the Israelites did their jewelry—into the common
treasury of the Church; and in the Breviaries, where so many of these
hymns are to be discovered, a later and more critical scholarship may
identify some of them hereafter. As delicate insects are preserved in
amber, we there find much that we should otherwise have lost; but, like
that very amber, when its electricity is excited, his was that sort of
reputation which attracted many anonymous trifles—as, for example, the
_Ad coeli clara_—to itself.
Of Hilary’s other writings, with exception of his work on the Councils
of Ariminum and Seleucia, we have the full text. His commentaries on the
Psalms and on Matthew; his controversial pamphlets against Constantius;
his book of _Synods_; his twelve books _De Trinitate_—these are
accessible in the _Patrologia_ of Migne.
Public-domain text, read in full here on John Shaqi.
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