=Analyticals.=—In a small library it is most essential to show not only what books the library has on a given subject, but also what chapters or essays may be hidden in unsuspected volumes. Entries for such parts of books are called analytical entries. The subject heading is chosen in the same manner as for an entire work on the subject, the author, title, date, call number and paging of the volume containing the chapter being given below the subject heading. In similar manner author and title analytical entries may be made for short stories which appear in collections. Author analytical entries are frequently needed for collections of essays, etc. =Form of Card.=—The form of the card is of minor importance, provided it is clear and gives all of the important information. It is well to make prominent the author’s name by indention. The title must omit nothing which will aid the reader in his choice of a book. The name or number of edition and the name of the editor or translator should be included. Names of illustrators may be omitted unless they are of sufficient importance to require an added entry card. In a public library added entries under the names of popular illustrators like C. D. Gibson, Joseph Pennell or Walter Crane, will often prove helpful. =Imprint and Collation.=—Fullness of imprint and collation varies in different libraries. The cataloger should not count on the library always remaining very small, but should include enough details of imprint and collation to assure her that the cards will be useful when the library has grown. The A. L. A. rules give detailed instruction for imprint and collation, while any of the papers written on cataloging for the small library will point out the possibilities of simplification. =Contents Notes.=—The contents of the book should be given whenever it will add important items to the reader’s knowledge of the book. Descriptive and critical notes will often tell a reader positively whether or not he wishes the book, when the title alone could not do this. Subject headings for historical fiction—and also for poetry and drama—will be found most helpful. Thus Winston Churchill’s “Crisis” can well have an entry under U. S. History—Civil War—Fiction, and Dumas’ The Whites and the Blues, an entry under Napoleon I—Fiction.