The edifice in which Queen Victoria passed most of her early years, and which yet attracts the interest both of Englishmen and Americans, dates, as a palace, from the time of William III., though, at a rather earlier period, the Finches, Earls of Nottingham, had a mansion on the same spot, of which a small portion is believed to be still existent. The second Earl of Nottingham sold the house and grounds to the illustrious Dutchman who came to rescue us from the Pope and the Stuarts; and his Majesty caused additions to be made to the building by the greatest English architect of that time--Sir Christopher Wren. Successive [Illustration: DEATH OF THE DUKE OF KENT: PRESENTING THE COMMONS’ ADDRESS OF CONDOLENCE TO THE DUCHESS AT KENSINGTON PALACE. (_See p. 8._)] sovereigns, down to George II., still further enlarged the domicile and the grounds; and, for sixty years of the eighteenth century, Kensington Palace was the most brilliant and courtly place in London. All the nobles, statesmen, wits, and beauties of the age assembled in its saloons, or paraded in its gardens. Many are the anecdotes (scandalous and otherwise) connected with this royal home; but there are pleasanter associations too. Tickell, one of the minor _literati_ of the period which we associate with Queen Anne, though it extended into the reigns of George I. and his successor, wrote a pretty fairy tale, in verse, in connection with Kensington Gardens; and Pope may have studied in that courtly enclosure the belles and fops of his “Rape of the Lock.” In the Palace itself, Death was a frequent visitor, as he must be in houses which survive several generations. William III. and Queen Mary, Queen Anne, Prince George of Denmark, and King George II., all died within its walls; and then came an eclipse. The sedate and formal residence, with its stately gardens, fell out of favour with George III., though it is not easy to say why, since his own character inclined him to the formal and sedate. All the glancing lights of wit and beauty faded from its rooms; and, by the earlier years of the present century, the Palace had acquired the sombre and somewhat depressing character inseparable from all old buildings which have seen better days, and from which the laughter and the life of earlier times have passed away.