The Life of Lazarillo de Tormes: His Fortunes & Adversities; with a Notice of the Mendoza Family, a Short Life of the Author, Don Diego Hurtado De Mendoza, a Notice of the Work, and Some Remarks on the Character of Lazarillo de Tormes — John Shaqi
The Life of Lazarillo de Tormes: His Fortunes & Adversities; with a Notice of the Mendoza Family, a Short Life of the Author, Don Diego Hurtado De Mendoza, a Notice of the Work, and Some Remarks on the Character of Lazarillo de TormesAnonymous
General
The Life of Lazarillo de Tormes: His Fortunes & Adversities; with a Notice of the Mendoza Family, a Short Life of the Author, Don Diego Hurtado De Mendoza, a Notice of the Work, and Some Remarks on the Character of Lazarillo de Tormes
Anonymous
Picaresque fiction; Spanish fiction -- Translations into English
As I ran up the street I was calculating how I could spend the money
to the best advantage and most profitably, giving thanks to God that
my master had got something to spend. [Sidenote: Terror of Lazaro,
thinking they were bringing a dead body to his house.] Suddenly I met
a funeral with many priests and mourners. I got up against the wall to
let them pass. Presently they came, one in deep mourning, apparently
the wife of the deceased, with other women. She was crying with a loud
voice and saying, “O my lord and husband, whither are they taking you,
to the sad and empty house, to the dark and wretched place, to the
house where there is nothing to eat and drink.” When I heard this the
heaven and earth seemed to be joined together. I exclaimed, “O unhappy
me! it is to our house that they are taking this dead body.” I turned
back, slipped through the crowd of people, and ran down the street
as fast as I could to our house. [Sidenote: Lazaro bars the door to
keep out the dead body.] When I got there I began to close the door in
great haste, calling on my master to come and help, and to defend the
entrance. He was rather surprised, thinking it was something else, and
said to me, “What is this, my boy, what are you making a noise about,
what are you doing, why are you shutting the door in such a fury?” “Oh
sir,” I cried, “they are bringing a dead body here!” “How do you know?”
he said. “I met it in the street,” I replied, “and the dead man’s wife
was crying and shouting, ‘My lord and husband, whither do they take
you, to the dark and dismal house, to the sad and wretched place, to
the house where they never eat nor drink.’ It must be here, sir, that
they are bringing it.” Certainly when my master heard this, though he
had no great reason to be merry, he laughed so heartily that it was a
long time before he could speak. By this time I had got the beam across
the door and put my shoulder against it, to make it more secure.
[Sidenote: Lazaro barring the door.]
The people passed with their corpse, and all the time I pushed against
the door, to prevent them from getting into the house. At last, when he
had had much more of laughing than of eating, my good master said to
me, “In truth, Lazaro, seeing what the widow was saying, you were right
to think as you did. But God has been good to us, and they have passed.
So open, open, and go and get the food.” “Let me wait, sir, until
they are out of the street,” I begged. [Sidenote: At last the esquire
unbars the door, and Lazaro does his marketing.] At last my master
came and opened the door in spite of me, which was necessary, because
I was so upset with fear and excitement. I then went out. We ate well
on that day, but I took no pleasure in it, nor did my colour come back
for three more days, while my master smiled a good deal, whenever he
noticed the state I had been in.
Public-domain text, read in full here on John Shaqi.
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