Owing to its bold curve, the sting points downwards when the tail is
extended in a straight line. To make use of his weapon, therefore, the
Scorpion must raise it, turn it over and strike upwards. This, in fact,
is his invariable practice. In order to pink the adversary subdued by
the nippers, the tail is arched over the animal’s back and brought
forward. The Scorpion, for that matter, is almost always in this
position: whether in motion or at rest, he arches his tail over his
back. He very rarely drags it behind him, relaxed into a straight line.
The pincers, those buccal hands recalling the claws of the Crayfish,
are organs of battle and of information. When moving forwards, the
Scorpion holds them in front of him, with the two fingers opened, to
take stock of objects encountered on the way. When he wants to stab an
enemy, the pincers seize the foe and hold him motionless, while the
sting is brought into play over the assailant’s back. Lastly, when he
wishes to nibble a tit-bit at leisure, they serve as hands and hold the
prey within the reach of the mouth. They are never used for walking,
for stability or for excavation.
That is the function of the real legs. These are suddenly truncated and
end in a group of short, movable claws, faced by a short, fine point,
which, to some extent, serves as a thumb. The stump is finished off
with rough bristles. The whole constitutes an excellent grapnel, which
explains the Scorpion’s aptitude for roaming over the trellis-work of
my wire-gauze covers, for making long halts there, motionless and
upside down, and, lastly, for scrambling along a vertical wall,
notwithstanding his clumsiness and weight.
Underneath, just behind the legs, are the combs, those strange organs,
an exclusive attribute of the Scorpions. They owe their name to their
structure, consisting of a long row of plates, set close together like
the teeth of a hair-comb. The anatomists are inclined to ascribe to
them the functions of a clutch intended to hold the couple bound
together at the moment of pairing. We will leave it at that until we
are better informed, provided that the specimens which I propose to
rear tell me their secret.
On the other hand, I know of another function, which is very easily
observed when the Scorpion meanders, belly uppermost, over the wire
trellis of my dish-covers. When he is at rest, the two combs are laid
flat on the abdomen, behind the legs. The moment he begins to walk,
they stick out on either side, at right angles to the body, like the
naked wings of an unfledged nestling. They sway gently up and down,
reminding us of the balancing-pole of an inexperienced rope-dancer. [4]
If the Scorpion stops, they are at once retracted, fall back upon the
belly and cease to move: if he resumes his walk, they are at once
extended and again begin their gentle oscillation. The animal therefore
seems to use them at least as a balancing mechanism.
Public-domain text, read in full here on John Shaqi.
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