The book after two or three refusals was accepted by Grant Richards and
published in July 1917 in the same week that I was posted as a
machine-gun second-lieutenant to the B.E.F. in France. It could not have
come out under luckier auspices. It had an immediate news value. There
was a boom in soldier poets. Robert Graves, Siegfried Sassoon, Robert
Nichols, W.J. Turner had recently made their debuts. Here was a soldier
novelist, the first and in his teens. As always in war-time there was a
demand for books and there was that summer a dearth of novels. A spirit
of challenge and criticism was in the air. The war after three years was
still "bogged down" and public opinion attributed allied failings in the
field to mismanagement in high places. The rebelliousness of _The Loom
of Youth_ was in tune with the temper of the hour. Finally I had the
immense advantage of being the son of Arthur Waugh. My father as a
critic and a publisher was one of the most loved and respected figures
in the world of letters. Many were anxious to give his son a chance.
The book had a flattering reception. Nothing of any particular interest
was being published at the moment and reviewers welcomed it. J.C.
Squire, Gerald Gould, Ralph Straus, C.K. Scott-Moncrieff, E.B. Osborn,
all made it their book of the week. Nor was it noticed only in the book
sections. Richards had suggested that Thomas Seccombe who was then
history professor at Sandhurst and had introduced the book to him,
should write a preface. That preface discussed the Public School system
in the light of contemporary events. The system, Seccombe wrote, "has
fairly helped, you may say, to get us out of the mess of August 1914.
Yes, but it contributed heavily to get us into it." The preface
encouraged and helped a journalist to use the book as the text for a
general article. Within a month it had received twenty-four columns of
reviews and was in its third impression. Grant Richards told my father
that with any luck he would sell five thousand copies.
Public-domain text, read in full here on John Shaqi.
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