The Memoirs of a Failure: with an Account of the Man and His ManuscriptKittredge, Daniel Wright
Science
The Memoirs of a Failure: with an Account of the Man and His Manuscript
Kittredge, Daniel Wright
Failure (Psychology) -- Fiction; Harvard University -- Fiction; University of Virginia -- Fiction
“Come, now, to the third and highest level, where I maintain my
Intellectual Cowards at a great expense. They are the very costly
specimens, for they come chiefly from the places of elevated culture.”
While he was speaking, we ascended a cast-iron stairway inlaid with
arabesques. The Excelsior let down a narrow, filigree draw-bridge
which was the only means of access to the tier of intellectual cowards.
We ambled across it, and the Excelsior made a sweep with his cane,
exclaiming:
“Look at them! Are they not ludicrous? You have often heard the
adjective contemptible applied to cowardice. The application came
from this sect. These are the contemptible cowards. They lack the
courage of their convictions. And the curious fact is that these
persons are proud of their cowardice, because they call it another
name--self-preservation, which includes self-appreciation.”
Here the Excelsior turned upon me.
“Did it ever occur to you,” he asked, “that a humbug is at heart a
coward? A humbug is simply one who is afraid to be himself for fear
it may not pay. As an example, one of the oldest and most harmful
devices of the humbug is to titulate the imagination with smut
under the pretense of being outspoken. That is why you see so many
modern playwrights and novelists amongst them. If they were really
clean-minded and earnest in their work, they would not have to adopt
such false methods.”
The Excelsior took me to the other end of the balcony where a ball was
in progress.
“Here are some more humbugs,” he began, “indeed by far the majority
of humbugs are found among the so-called fashionable classes. These
specimens came from the esoteric ‘sets’ of your society folk.”
“Do you allow them to carry on their same diversions?” I asked,
noticing the luxurious furnishings and grandeur.
“Oh yes,” answered the Excelsior, “otherwise they would languish and
die. Look at that grand lady there in the gilt arm-chair. She is a
famous leader. She has composure, but nothing to compose.
“Can you see that loose-jointed male specimen, stroking his blond
mustache. How very haughty he is! He is exclusive, for fear of being
excluded.
“These are all cowards, you understand, because they are imitated
poses. Imitation is a confession that you lack the stamina to be
yourself.”
My brain was buzzing with the Excelsior’s concentrated talk. He gave me
some relief by asking me to follow him into a wing of the building. He
unlocked a suite of private apartments. In the dining-room there sat
five persons.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account