The 'Mind the Paint' Girl: A Comedy in Four ActsPinero, Arthur Wing
General
The 'Mind the Paint' Girl: A Comedy in Four Acts
Pinero, Arthur Wing
Comedy plays; English drama
Here you are, Daphne!
ROPER.
[_At his table._] Miss Kato, wanted!
DE CASTRO.
[_Calling to GABRIELLE._] Gabth!
NITA.
[_Calling to HENEAGE._] Stewie!
COOLING.
Baron-- Enid----
VON RETTENMAYER.
Aha!
COOLING.
[_To STIDULPH._] Over there, Colonel.
FULKERSON.
[_Wandering about._] Where am _I_? Where am _I_?
NITA.
[_Pushing him aside._] Oh, be off!
LILY.
[_Calling._] Jimmie!
COOLING.
[_At his place at a table._] Olga, you're here. Mr. Grimwood!
FULKERSON.
Where am _I_?
JIMMIE.
[_To FULKERSON._] Next to me, worse luck. [_Screwing up her face at
him._] Ugh!
ROPER.
Ladies' mantles on the second-floor!
COOLING.
Where's Sybil?
DAPHNE.
[_Calling._] Syb! Syb!
[_The curtain falls, but the music of "Mind the Paint" continues for a
while. Then it ceases and, after a short silence, the curtain rises
again. The supper-tables have disappeared and the saloon is empty of
people. The musicians and their music-stands and stools have also
gone, and faintly from the distance comes the sound of a waltz. Two
settees, matching the rest of the furniture, now stand in the centre
of the saloon back-to-back, one of them facing the counter, the other
facing the spectator. LILY'S bouquet lies on the nearer of the two
settees, and upon the floor there is a fan, a red rose that has fallen
from a lady's corsage, and a pocket-handkerchief with a powder-puff
peeping from it. On the counter there are carafes of lemonade,
decanters of spirits and syphons of soda-water, a bowl of
strawberries-and-cream, various dishes of cakes, boxes of cigars and
cigarettes, a lighted spirit-lamp, and other adjuncts of a buffet.
COLONEL STIDULPH wanders in through the double-door as the waltz comes
to an end. Feebly and dejectedly he goes to the counter, takes a
cigarette, and is lighting it when LUIGI and the waiters enter the
door on the left. Two of the waiters are carrying bottles of champagne
in wine-coolers, another brings a tray on which are champagne-glasses
and tumblers, and the bearded waiter follows with a large dish of
sandwiches._
LUIGI.
[_Behind the counter-- to STIDULPH, familiarly._] Ain't you dancing,
Colonel?
STIDULPH.
Dancing-- I? [_Shaking his head._] No.
LUIGI.
[_Who speaks Cockney English with a slight foreign ascent-- cutting
the wire of a champagne bottle._] Why, you used to be a regular
slap-up dancing man when I first knew you.
STIDULPH.
[_Nodding._] Ah, ah; [_moving away_] my dancing days are done.
LUIGI.
Done! Oh, I like that! I bet you ain't sixty, come now, eh?
STIDULPH.
What's the time, Luigi? I haven't a watch on.
LUIGI.
Time, Colonel? [_Looking at his watch._] Twenty to three.
STIDULPH.
No later? [_Sitting on the settee on the right, with a sigh._] Oh,
dear!
Public-domain text, read in full here on John Shaqi.
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