The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
In short, the secret of dressing lies in simplicity, and a certain
adaptation to your figure, your rank, your circumstances. To dress
well on these principles--and they are the only just ones--does not
require that extravagant attention to so trivial an object, as is
usually exhibited by persons who make the toilet a study. When ladies
place the spell of their attraction in their clothes, we generally
see them arrayed in robes of a thousand makes and dyes, and curiously
constructed of materials brought from, Heaven knows where. Thus, much
time, thought, and wealth, are wasted on a comparatively worthless
object. To lavish many of the precious hours of life in the invention
and arrangement of dress, is as criminal an offence as to exhaust the
finances of your husband or parents by a thriftless expenditure on its
component parts.
The taste I wish to inculcate, is that nicely-poised estimation of
things, which shows it “worth our while to do _well_, what it is ever
worth our while _to do_.” This disposition originates in a correct and
delicate mind, and forms a judgment which makes elegance inseparable
from propriety; and extending itself from great objects to small,
reaches the most apparently insignificant; and thus, even in the change
of the morning and evening attire, displays to the considerate observer
a very intelligible index of the wearer’s well-regulated mind.
“Show me a lady’s dressing-room,” says a certain writer, “and I will
tell you what manner of woman she is.” Chesterfield, also, is of
opinion, that a sympathy goes through every action of our lives: he
declares, that he could not help conceiving some idea of people’s sense
and character from the dress in which they appeared when introduced
to him. He was so great an advocate for pleasing externals, that he
often said, he would rather see a young person too much than too
little dressed, excess, on the fopish side, wearing off with time and
reflection; but if a youth be negligent at twenty, it is probable he
will be a sloven at forty, and disgustingly dirty at fifty. However
this may be with the other sex, I beg leave to observe, that I never
yet met with a woman whose general style of dress was chaste, elegant,
and appropriate, that I did not find, on further acquaintance, to be,
in disposition and mind, an object to admire and love.
This correspondence between the thoughts and the raiment being
established, what was before insignificant becomes of consequence;
and, being rightly understood, good sense will be as careful not to
disparage her discretion, by extravagant dress, as she would to evince
a sordid mind, by dirt and rags.
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