The old vicarage : $b A novelHubback, Mrs. (Catherine-Anne Austen)
General
The old vicarage : $b A novel
Hubback, Mrs. (Catherine-Anne Austen)
English fiction -- 19th century
“What is all this?” said he at length, glancing at his eldest
daughter. She could not answer.
Gwyneth whispered, “Mamma――I want mamma.” Hilary looked up hastily and
fearfully at her father’s face. A sadder shade swept over it, like the
darkening gloom which precedes the heavy shower; then it passed away,
and the quivering lip was still.
“Hilary, love, does she not know?” said he, gently, and drawing her
close to him.
Hilary conquered the rising inclination to give way to tears; it was a
hard struggle first, however, but she felt she must answer, and to her
own surprise her voice came.
“I tried, papa, to tell her; but she would not believe――she can not
understand――she is so young, and feels so acutely; oh, papa! it was my
fault, I did not know how!”
“My poor child,” said he, as he stooped and kissed her forehead, after
anxiously scanning her pale cheeks and weary eyes; “you have had no
rest; you have overtasked yourself: you should have gone to bed.”
“Never mind me, papa dear! I shall do well enough, but let me take
Gwyneth back, she will be cold. Come Gwyneth.”
But the child rebelled again, clung to her father, and seemed about to
renew her shrieks.
“Hush, hush! this will not do,” said he, “this must not be. Be still,
Gwyneth, and you shall see your mother once more.”
He stepped into the darkened room, whose grave and solemn aspect
hushed the mourner’s emotion at once. He opened one shutter a little
way; the bright morning sun streamed in upon the white bed-curtains,
and danced upon the toilet-glass. He brought his young daughter,
clinging to his arms, to the bed, drew back the curtain, lifted the
sheet, and Gwyneth’s eyes fell on the cold, still face of her, for
whom she had called in vain.
Words can not describe the feelings of a child thus brought face to
face with death. The dead flower appears as a shriveled atom――the
extinguished fire presents an uncouth heap of ashes――the setting sun
vanishes from our sight――these speak for themselves, here the change
is real, perceptible, obvious; but the soul departed leaves the body
the same, and yet how different, how slight, yet how immense the
alteration. Lost in wonder, unable to realize what is gone, the child
gazes in unspeakable awe at what remains――death, is that death? it
looks but too like a profound and happy sleep; for a moment the eye is
deceived: but to the touch the truth is at once revealed, and the
young finger shrinks, and never again forgets the strange, cold,
unyielding, icy feeling of the dead. For years it will thrill through
her frame.
Public-domain text, read in full here on John Shaqi.
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