The Pearl, its story, its charm, and its valueCattelle, Wallis Richard
History
The Pearl, its story, its charm, and its value
Cattelle, Wallis Richard
Pearls
There is also a white which is not dark and is yet dead. To some
extent it is characteristic of all fresh-water pearls. It is a chalky,
milky white that even when lustrous, carries a reminder of chalk in
the texture and lacks the essential life of the ideal pearl. Color
in the highest perfection is found in the pearls of the Ceylon and
Australian waters, the former being also very lustrous, and such are
sometimes termed by the trade "Madras," after the city where the Indian
pearls have been marketed for ages. It must not be inferred however
that pearls equally good are not found in other localities, but that
the color averages better, and the number of gems of ideal color and
luster is greater from the Ceylon fisheries than elsewhere. The color
and texture, and therefore luster, of fine Indian pearls is seldom
equalled, never surpassed.
To those who are without experience, and see for the first time a
large quantity of pearls apparently alike in color, it would seem an
easy matter to match any required number; but in attempting to gather
sufficient for a single strand necklace, one would learn that a parcel
or series of pearls, seemingly all white, contains a surprisingly
great variety of shades or tones of color; that which appears at first
sight quite easy becomes in the attempt extremely difficult. Probably
nothing requires a sharper eye, a more delicate sense of color and
greater patience, than the assembling of a finely matched string of
pearls. Bearing in mind that size, shape, color, and perfection, must
all correspond, it is not surprising that few strings exist which are
above criticism.
Those who buy them seldom realize what enormous quantities of pearls,
and skilful and painstaking effort is necessary, to match perfectly,
thirty or more, especially of large size. Pearls which, separated by a
few inches seem alike, when brought close together reveal differences
of texture and tone of color sufficiently pronounced to arrest the eye
and destroy that ideal perfection of purity which permits no spot to
mar the symmetry of an assemblage of these emblematic gems. It was said
in old times that to match a pearl perfectly was to double the value
of both; one may imagine therefore the difficulty which confronts the
modern jeweller when he undertakes in this critical age to match thirty
or forty.
The color most common in pearls of all seas is yellow, but it is not so
with fresh-water ones. Other colors are seldom found except as tints in
white pearls, but distinctly yellow oriental pearls are abundant. The
tones of color in the white are, yellow, blue, pink and green. They are
so slight that it is difficult to recognize them except by comparison.
The blue and pink are considered best, the champions of each being
about equal. The green come next in favor and the yellow last. This
order applies fully however to the Occident only. Some Oriental peoples
do not draw such fine distinctions, and the Chinese prefer the creamy
yellow to any other.
Public-domain text, read in full here on John Shaqi.
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