The Piccinino, Volume 2 (of 2); The last of Aldinis — John Shaqi
The Piccinino, Volume 2 (of 2); The last of AldinisSand, George
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The Piccinino, Volume 2 (of 2); The last of Aldinis
Sand, George
French fiction -- Translations into English
He walked toward the cliff, and, being perfectly certain that there was
nobody in front of him, he decided to ascend the staircase cut in the
lava, turning every moment to see if the Piccinino were following him.
His heart beat very fast, for a conflict with him upon that staircase
would have been decisive. On seeing him there, the brigand would have
realized that he had been deceived, that Michel was Agatha's lover--and
to what extremities would his rage not have impelled him? Michel did not
fear a bloody struggle on his own account; but how could he prevent
Carmelo from wreaking vengeance upon Agatha, if he should come forth
alive from that struggle?
Nevertheless, Michel kept on to the top, and, having made sure that he
was not followed, entered the flower-garden, locked the gate, and
approached Agatha's boudoir. The room was lighted, but empty. A moment
later a maid came and extinguished the candles, then went away. All was
silence and darkness.
Michel had never been more intensely disturbed. His heart beat as if it
would burst, as the silence and uncertainty continued. What was taking
place in Agatha's apartments? Her bedroom was behind the boudoir; it
could be entered from the flower-garden through a short passage where a
lamp was still burning. Michel could see it by looking through the
key-hole of the carved door. Perhaps that door was not locked on the
inside. Michel tried it, and, meeting with no resistance, entered the
Casino.
Where was he going and what did he intend to do? He had no very clear
idea himself. He said to himself that he was going to the assistance of
Agatha, whose security was threatened by the Piccinino. He did not
choose to admit that he was spurred on by the demon of jealousy.
He fancied that he could hear voices in Agatha's bedroom. They were two
women's voices: they might be Agatha's and her maid's, or the second one
might be Carmelo's soft and almost feminine voice.
Michel stood irresolute, trembling from head to foot. If he should go
back into the flower-garden, the door of the passage-way would doubtless
soon be locked by the maid; and in that case how was he to get in again
unless by breaking a pane of glass in the boudoir--an expedient suited
to the genius of the Piccinino, but naturally repugnant to Michel.
It seemed to him that centuries had passed since he saw the bandit climb
the wall; but it was less than a quarter of an hour. However, one can
live years in a minute, and he said to himself that the Piccinino had
evidently preceded him, as he was so slow about following him.
Suddenly the door of Agatha's bedroom opened, and Michel had barely time
to step behind the pedestal of the statue which held the lamp. "Lock the
garden door," said Agatha to her maid, who came out of the bedroom, "but
leave this one open; it is horribly hot in my room."
Public-domain text, read in full here on John Shaqi.
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