The poems of Heine; Complete: Translated into the original metres; with a sketch of his lifeHeine, Heinrich
General
The poems of Heine; Complete: Translated into the original metres; with a sketch of his life
Heine, Heinrich
German poetry -- Translations into English; Heine, Heinrich, 1797-1856 -- Translations into English
Kant to the bloodthirsty dictators of ’93, and proclaims the gospel of
pantheism. His theory of the intellectual history of the Germans is
altogether false, and should only be consulted as an illustration--alas,
too positive!--of the fever at once mystical and sensual of a certain
period of our age.” This book produced a perfect storm of fury in
Germany. “Denounced by Menzel and the pietists as an emissary of Modern
Babylon, cursed by the austere _teutomaniacs_ as a representative of
Parisian corruption, Heine was not the less suspected by the democrats,
who accused him of treason. To this was added official persecution.”
Proceeding to his next work, the publication of his “Salon,” consisting
of an interesting series of essays, &c., commenced at Hamburg in 1834,
its fourth and last volume not appearing till 1840. A long essay on the
Women of Shakespeare appeared in 1839, and in 1840 a violent personal
attack on his old friend, the republican poet Börne, then only recently
dead,--a work which, with all its talent, did great injury to his
reputation. His remaining great prose work, entitled “Lutezia,” or
Paris, consists of a collection of valuable articles on French politics,
arts, and manners, written by him as the correspondent of the _Augsburg
Gazette_ between 1840 and 1844. The only other writings of his in prose
that need be specified, entitled respectively “Confessions,” “Dr.
Faust,” and the “Gods in Exile,” were written a few years before his
death.
After the publication of the “Reisebilder,” Heine’s next poetical
production was the charming poem of “Atta Troll,” which appeared in
1841, written in a simple trochaic metre,--“four-footed solemn
trochees,” as he himself expresses it. This poem has been described as
the work of a German Ariosto, combining gaiety and poetry, irony and
imagination in perfect proportions. Much worldly wisdom is to be learnt
from the instructive history of Atta Troll, the dancing bear of the
Pyrenees. The striking interlude in it of the vision of Herodias amongst
the spirit huntsmen should not be overlooked.
Public-domain text, read in full here on John Shaqi.
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