French fiction -- 20th century -- Translations into English
He received an extensive and preciose education. He lived with his
mother in a chateau outside of Paris, a huge mansion that had a billiard
room, music parlors, salons, and animals of all kinds: monkeys, dogs,
snakes, parrots, canaries. Apollinaire travelled much when he was quite
young, chiefly in Germany, Italy and Eastern Europe; he lived and
studied in the Rhineland. Then he came back to Paris, with "all the
poems he had been collecting in a cigar-box."
A literary career in Paris, is perfectly conventional by now. You run
after the editors of newspapers, and finally you are allowed to
contribute "feuilletons" to them. Then the magazines, the publishers,
and you have "arrived." Apollinaire became a journalist and lived for a
time by the veriest pot-boiling, some of which included translations of
Aretino, an edition of the Marquis de Sade, introductions to
pornographical classics, and even a great bibliographical work, called,
"The Inferno of the National Library." But he soon became notorious in
Paris. He gathered a motley horde of writers, painters and _types_ (i.
e., idiots, or freaks), and paraded from the right bank to the left,
from the Montmartre to Montparnasse. His associates are now the most
distinguished names of France, Henri-Matisse, Picasso, Dérain, Braque,
Rousseau (the old man whom he "discovered" near the fortifications of
Paris), and André Salmon, Marie Laurencin, Max Jacob, Pierre Reverdy,
"baron" Mollet, his secretary.
He was intensely conscious of the time-spirit. An original and rugged
intellect, he disquieted those who were repelled by his lavish and
heedless manner. For him the French literature of the Symbolist era,
which de Gourmont still presided over, was dead, and he became, during
that whole period from 1905 to the end of the Great War, the only living
force in France. He predicted the sterile close of the literature of de
Regnier and Paul Fort, "Prince of Poets" (!), heralding an age of
boundless expansion and experiment, with new zones of experience, new
forms, and a yet more complex and rich civilization.
Public-domain text, read in full here on John Shaqi.
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