French fiction -- 20th century -- Translations into English
The studio contained another fatal object, a large piece of broken
mirror hooked to the wall. It was a dead and soundless sea, standing on
end, and at the bottom of which a false life animated what did not
exist. Thus, confronting Art, there is the appearance of Art, against
which men are not sufficiently on their guard, and which pulls them to
earth when Art has raised them to the heights. Croniamantal bent over in
a sitting posture, leaned his fore-arms on his knees, and turned his
eyes from the painting to a placard thrown on the floor on which was
painted the following announcement:
I AM AT THE BAR--_The Bird of Benin_
He read and re-read this sentence while the Bird of Benin contemplated
his picture, approaching it and withdrawing from it, his head at all
angles. Finally he turned towards Croniamantal and said:
"I saw the woman for you last night."
"Who is she?" asked Croniamantal.
"I do not know, I saw her but I do not know her. She is a really young
girl, as you like them. She has the sombre and child-like face of those
who are destined to cause suffering. And despite all the grace of her
hands that straighten in order to repel, she lacks that nobility which
poets could not love because it would prevent their being miserable. I
have seen the woman for you, I tell you. She is both beauty and
ugliness; she is like everything that we love nowadays. And she must
have the taste of the laurel leaf."
But Croniamantal, who was not listening to him, interrupted at this
point to say:
"Yesterday I wrote my last poem in regular verses:
_Well,
Hell!_[6]
and my last poem in irregular verses (take care that in the second
stanza the word wench is taken in its less reputable meaning):
PROSPECTUS FOR A NEW MEDICINE
_Why did Hjalmar return
The tankard of beaten silver lay void,
The stars of the evening
Became the stars of the morning
Reciprocally
The sorceress of the forest of Hruloë
Prepared her repast
She was an eater of horse-flesh
But he was not
Mai Mai ramaho nia nia._
_Then the stars of the morning
Became again the stars of the evening
And reciprocally
They cried--In the name of Maröe
Wench of Arnamoer
And of his favorite zoöphyte
Prepare the drink of the gods
--Certainly noble warrior
Mai Mai ramaho nia nia._
_She took the sun
And plunged him into the sea
As housewives
Dip a ham in gravy
But alas! the salmons voracious
Have devoured the drowned sun
And have made themselves wigs
With his beams
Mai Mai ramaho nia nia._
_She took the moon and did her all with bands
As they do with the illustrious dead
And with little children
And then in the light of the only stars
The eternal ones
She made a concoction of sea-brine
The euphorbiaceans of Norwegian resin
And the mucous of Alfes
To make a drink for the gods
Mai Mai ramaho nia nia._
Public-domain text, read in full here on John Shaqi.
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