French fiction -- 20th century -- Translations into English
"This year," began Tristouse, "the modes are very bizarre and familiar,
simple and yet full of fantasy. All material belonging to the different
processes of Nature may now enter into the composition of a woman's
costume. I have seen a robe made of cork. It was certainly as good as
the charming evening gowns of towel which created such a rage at
premieres. A great couturier is thinking of launching tailor-made
costumes of the backs of old books, bound in calf. Charming! All
literary women will want to wear it, and one can approach them and
whisper into their ears under the guise of reading the titles of the
books. Fish-skeletons are also worn much with hats. You may see
delightful young girls, very often, wearing cloaks à la Saint-Jacques
de Compostelle; their costume, so it is said, is starred with Saint
Jacques shells. Porcelain, stone work and china have suddenly taken an
important place in the sartorial art. These materials are worn in belts,
on hat-pins, etc.; I have had the good luck to see an adorable reticule
all made of the glass eyes that oculists use. Feathers are used not only
to decorate hats with, but shoes, gloves, and next year they will even
be used with umbrellas. Shoes are being made of Venetian glass and hats
out of Bohemian crystal. Not to mention oil-painted gowns, highly
colored woolens, and robes bizarrely spotted with ink. In the Spring
many will wear dresses made of puffed gold leaf, with pleasant shapes,
giving lightness and distinction. Our aviatrices will wear nothing else.
For the races there will be the hat made of toy balloons, about twenty
at a time being used, giving a luxuriant effect, and very diverting
explosions from time to time. The mussel-shell will be worn on slippers.
And note that they are beginning to dress with living animals. I met a
woman who wore on her hat at least twenty birds; canaries, goldfinches,
robins, held by a string tied to their feet, all singing at the top of
their voices and flapping their wings. The head-dress of an
ambassadress, ever since the last Neuilly fair is made up of a coil of
about thirty snakes. 'For whom are those snakes that hiss overhead?'
asked the little Romanian attaché with his Dacian accent, who was
supposed to be quite a ladies' man. I forgot to tell you that last
Wednesday I saw a lady on the boulevards with a ruff having little
mirrors laid together and pasted to the material. In the sunlight the
effect was sumptuous. One might have thought it a gold mine on a
promenade. Later it began to rain and the lady resembled a silver mine.
Nutshells make pretty buttons, especially if they are interspersed with
filberts. A robe embroidered with coffee grains, cloves, cloves of
garlic, onions, and bunches of raisins, is proper to wear when visiting.
Fashion is becoming practical and no longer spurns any object, but
ennobles all. It does for these things what romanticists do with words."
Public-domain text, read in full here on John Shaqi.
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