French fiction -- 20th century -- Translations into English
The glory of Croniamantal is now universal. One hundred and twenty-three
towns in seven countries on four continents dispute the honor of this
notable hero's birth. I shall attempt, further on, to elucidate this
important question.
All of these people have more or less modified the sonorous name of
Croniamantal. The Arabs, the Turks and other races who read from right
to left have never failed to pronounce it Latnamainorc, but the Turks
call him, bizarrely enough, Pata, which signifies goose or genital
organ. The Russians surname him Viperdoc, that is, born of a fart, the
reason for this soubriquet will be seen later on. The Scandinavians, or
at least, the Dalecarlians, call him at will, _quoniam_, in Latin, which
means, _because_, but often serves to indicate the noble passages in
popular accounts of the middle ages. It is to be noted that the Saxons
and the Turks manifest with regard to Croniamantal, a similar sentiment,
since they refer to him by an identical surname, whose origin, however,
is still scarcely explained. It is believed that this is an euphemistic
allusion to the fact stressed in the medical report of the Marseilles
doctor, Ratiboul, on the death of Croniamantal. According to this
official document, all the organs of Croniamantal were sound, and the
lawyer-physician added in Latin, as did Napoleon's aide Major Henry:
_partes viriles exiguitatis insignis, sicut pueri._
For the rest, there are countries where the notion of the Croniamantalian
virility has entirely disappeared. Thus, the negroes in Moriana
call him Tsatsa or Dzadza or Rsoussour, all feminine names, for
they have feminized Croniamantal as the Byzantines feminized Holy
Friday in making it Saint Parascevia.[1]
II. PROCREATION
Two leagues from Spa, on the road bordered by gnarled trees and bushes,
Vierselin Tigoboth, an ambulant musician who was coming on foot from
Liège, struck his flint to light his pipe. A woman's voice cried:
He lifted his head, and a wild laugh burst out: "Hahaba! Hohoho! Hihihi!
thine eyelids are the color of Egyptian lentils! My name is Macarée. I
want a tom-cat."
Vierselin Tigoboth perceived by the roadside a young woman, brunette and
formed of nice curves. How charming she seemed in her short bicyclist's
skirt! And holding her bicycle with one hand, while gathering sloes with
the other, she ardently fixed her great golden eyes on the Flemish
musician.
"_Vs'estez one belle bâcelle_," said Vierselin Tigoboth, smacking his
tongue. "But, my God, if you eat all those sloes, you will have the
colic tonight, I'm sure."
"I want a tom-cat," repeated Macarée and unclasping her bodice she
showed Vierselin Tigoboth her breasts, sweet as the buttocks of the
angels, and whose aureole was the tender color of the rose clouds of
sunset.
"Oh! oh!" cried Vierselin Tigoboth, "As pretty as the pearls of
Amblevia, give them to me. I shall gather a big bouquet of ferns for you
and of irises, color of the moon."
Public-domain text, read in full here on John Shaqi.
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