The Poetical Works of Thomas Traherne, 1636?-1674, from the original manuscriptsTraherne, Thomas
General
The Poetical Works of Thomas Traherne, 1636?-1674, from the original manuscripts
Traherne, Thomas
English poetry -- Early modern, 1500-1700
With Traherne poetry was no elegant recreation, no medium for the
display of a lively fancy, no means of exhibiting his skill as a
master of metrical effects, but the vehicle through which he expressed
his deepest convictions and his profoundest thoughts. He used it as
a gift which it was his duty to employ only for the highest purposes
and the most sacred ends. All that he saw, felt, and apprehended was
transmuted by the alchemy of his mind into that mysterious union of
thought, imagination, and expression, which we half praise and half
disparage when we term it poetic inspiration. He possessed--or rather
was possessed by--that "fine madness" without which no poet, painter,
or musician ever yet created a work which deserved to outlive its
author. He saw in the universe no "foul and pestilent congregation of
vapours," but a majestic dwelling-place for gods, angels, and men. All
nature to him was lovely and perfect; and if the existence of evil,
injustice, and sin disquieted him for a moment he had little difficulty
in persuading himself that these things were owing not to defect or
imperfection in nature, but to the folly or perverseness of men in
departing from it. It may indeed be said of him, as Matthew Arnold said
of Wordsworth, that his eyes refused to dwell upon the darker aspects
of life and nature; but that, in his case, as in Wordsworth's, was in
a great degree the source of his greatness, and is the reason why he
interests us. It is only those that possess an undoubting faith who can
inspire it in others. It is given only to a Shakespeare or a Goethe
to "see life steadily and see it whole." Almost all other authors see
it, as their nature prompts them, in colours which are either too
glowing or too sombre. It has been said of the author of "The City of
Dreadful Night" that he was born that we might have things stated at
their worst, once for all:[D] may we not likewise say of Traherne that
he was born that things might be stated, once for all, at their best?
Perhaps the reader may think that his poems do not justify so strong
a claim; but when they are taken in conjunction with his "Christian
Ethicks" and "Centuries of Meditations" I do not think it can be
considered as an overstatement. Whether his moral and theological views
were right or wrong, Traherne at least was warranted in holding them,
because they were exactly suited to his peculiar temperament, if indeed
they were not the outcome of it. Were all men blessed with so happy a
disposition as his, then indeed might the world become the Eden which
to him it appeared to be. He believed that all men might be as happy as
he was if they would only firmly resolve to follow the path which had
led him to felicity. Like all enthusiasts and most reformers of human
nature or human institutions, he made the mistake of supposing that
others were, or might be made, like-minded with himself, and did not
take into account the infinite varieties of character and temperament
Public-domain text, read in full here on John Shaqi.
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