Fiction -- History and criticism; Political fiction -- History and criticism; Politics in literature
=John Steinbeck: The Party Organizer.= Appearing in 1936, Steinbeck’s
_In Dubious Battle_ sociologically described the violent course
and tragic end of a Communist-organized strike of apple pickers in
California’s Torgas Valley. Shortly after he applies for membership in
the Party, young Jim Nolan is taken down into the valley by McLeod,
a hard-shelled, veteran Communist organizer. The underpaid pickers,
living in squalor, follow Mac when he helps precipitate the strike. As
the apprentice, Jim follows each move carefully, learning both theory
and practice from Mac, who wants violence and a prolonged strike in
order to gain wide attention and pave the way for organizing subsequent
picking operations. Adept and devoted, Jim learns quickly despite
a gunshot wound and increasing hunger. He even assumes temporary
leadership over Mac when the latter’s vitality momentarily sags. At
the book’s end, with the strike failing, Jim falls into a trap and
his face is blown off by a shotgun blast. Mac carries his body to the
strikers’ camp platform. The book’s last line is Mac’s funeral oration
for Jim: “Comrades! He didn’t want nothing for himself.” The novel may
be considered a social and political study; the picture that emerges
is one of economic oppression, embattled workers, and hard but devoted
organizers.
=Sinclair Lewis: Native Fascism.= Sinclair Lewis’s fifteenth book also
appeared in 1936, and its title is an indication of the jolt it was
meant to give to American complacency. _It Can’t Happen Here_ is the
story of the American republic transformed into a Fascist corporate
state through a military coup d’état made possible by an electorate
which was attracted by share-the-wealth schemes, anti-minority
agitation, and primitive emotionalism. The methods of the Nazis and
Fascists are applied to eradicate the democratic system and even the
boundaries of states. The country is divided into eight provinces,
concentration camps devour the dissenters and the suspect, and all
of American life is harshly regimented. Lewis’s hero is “bourgeois
intellectual” Doremus Jessup. After he has lost his newspaper,
his daughter, and his son-in-law, he becomes a member of the New
Underground. When revolution wins back only half the country, he enters
the other half as a secret agent. This novel has most of the faults
and virtues of Lewis’s other books: character merging into caricature,
complete lack of subtlety, and embarrassingly awkward dialogue; but
with this there is accurate social criticism, a genuine if crude
vitality, and--particularly in this novel--a very earnest concern for
American traditions. Lewis’s point is made clear as Jessup reflects
that
the tyranny of the dictatorship isn’t primarily the fault of Big
Business, nor of the demagogues who do their dirty work. It’s the
fault of Doremus Jessup! Of all the conscientious, respectable,
lazy-minded Doremus Jessups who have let the demagogue wriggle in,
without fierce enough protest.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account