Fiction -- History and criticism; Political fiction -- History and criticism; Politics in literature
=John Dos Passos and Ernest Hemingway: Liberal Causes Abroad.= Glenn
Spotswood’s geographical and political odyssey, abruptly ended by a
rebel bullet in the Spanish Civil War, forms the central theme of Dos
Passos’ _Adventures of a Young Man_ (1938). Politically conscious even
as a boy, Glenn becomes successively a transient worker, a cum laude
college graduate, a Communist labor organizer, and a disillusioned
member of a splinter group. Clearly and dispassionately, Dos Passos
allows his story to unfold. There are unsavory, dislikable characters
such as fierce but noncombatant Comrade Irving Silverstone and sinister
Jed Farrington, an American Communist who, as a Spanish loyalist
colonel, divides his lethal attentions between the rebels and political
unreliables. But one has the feeling that the author is not leaning in
any direction. In the prose poems interspersed throughout the novel,
however, Dos Passos lectures his reader. The concluding paragraph
analyzes the growth of the American Communist Party and explains the
gullibility of the Americans deceived by it. The last lines tell the
reader that
only a people suspicious of self-serving exhortations willing to
risk decisions, each man making his own, dare call themselves
free, and that when we say the people, ... we mean every suffering
citizen, and more particularly you and me.
A little less obvious was the position of Ernest Hemingway in his fine
novel _For Whom the Bell Tolls_ (1943). Hemingway would very probably
disclaim any intent to write a political novel, but his book teaches a
lesson in one of the oldest and surest ways--by example. Robert Jordan
has left his instructorship in Spanish at the University of Montana to
go to Spain as a demolition expert for the loyalists. Although he has
placed himself under Communist discipline for military reasons, he is
not a Communist. He is a teacher who has taken a most un-sabbatical
leave to fight Fascism in a country he loves. Following the pattern
of most of these books, Hemingway sums up a few pages from the end.
Badly injured and unable to make his escape, Jordan lies waiting in the
forest to fight a fatal rearguard action which will buy time for his
escaping friends. He thinks:
I have fought for what I believed in for a year now. If we win here
we will win everywhere. The world is a fine place and worth the
fighting and I hate very much to leave it.
Public-domain text, read in full here on John Shaqi.
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