The Russian peasant's artistic impulse is no legend. Besides the carving and embroidery which speak eloquently to peasant skill, one observes many instances in daily life. He will climb down, when his slowly-moving train stops by the wayside, to gather branches and flowers with which he will decorate the railway carriage both inside and out, he will work willingly at any task which has beauty for its object, and was all too prone under the old regime to waste his time and his employer's material in fashioning small metal or wooden objects with his hands. If the _bourgeois_ tradition then will not serve, there is a popular tradition which is still live and passionate and which may perhaps persist. Unhappily it has a formidable enemy in the organization and development of industry, which is far more dangerous to art than Communist doctrine. Indeed, industry in its early stages seems everywhere doomed to be the enemy of beauty and instinctive life. One might hope that this would not prove to be so in Russia, the first Socialist State, as yet unindustrial, able to draw on the industrial experience of the whole world, were it not that one discovers with a certain misgiving in the Bolshevik leaders the rasping arid temperament of those to whom the industrial machine is an end in itself, and, in addition, reflects that these industrially minded men have as yet no practical experience, nor do there exist men of goodwill to help them. It does not seem reasonable to hope that Russia can pass through the period of industrialization without a good deal of mismanagement, involving waste resulting in too long hours, child labour and other evils with which the West is all too familiar. What the Bolsheviks would not therefore willingly do to art, the Juggernaut which they are bent on setting in motion may accomplish for them. The next generation in Russia will have to consist of practical hard-working men, the old-style artists will die off and successors will not readily arise. A State which is struggling with economic difficulties is bound to be slow to admit an artistic vocation, since this involves exemption from practical work. Moreover the majority of minds always turn instinctively to the real need of the moment. A man therefore who is adapted by talent and temperament to becoming an opera singer, will under the pressure of Communist enthusiasm and Government encouragement turn his attention to economics. (I am here quoting an actual instance.) The whole Russian people at this stage in their development strike one as being forced by the logic of their situation to make a similar choice.