French fiction -- Translations into English; Historical fiction
The friendly caution with which this imprudent confidence was received
by the two young men, seemed to reassure the German. The landlord
assisted in taking off one of the mattresses, and when all was arranged
for the best he bade them good-night and went off to bed.
The merchant and the surgeons laughed over the nature of their pillows.
Prosper put his case of surgical instruments and that of Wilhelm under
the end of his mattress to raise it and supply the place of a bolster,
which was lacking. Wahlenfer, as a measure of precaution, put his valise
under his pillow.
"We shall both sleep on our fortune," said Prosper, "you, on your gold;
I, on my instruments. It remains to be seen whether my instruments will
ever bring me the gold you have now acquired."
"You may hope so," said the merchant. "Work and honesty can do
everything; have patience, however."
Wahlenfer and Wilhelm were soon asleep. Whether it was that his bed
on the floor was hard, or that his great fatigue was a cause of
sleeplessness, or that some fatal influence affected his soul, it is
certain that Prosper Magnan continued awake. His thoughts unconsciously
took an evil turn. His mind dwelt exclusively on the hundred thousand
francs which lay beneath the merchant's pillow. To Prosper Magnan one
hundred thousand francs was a vast and ready-made fortune. He began to
employ it in a hundred different ways; he made castles in the air, such
as we all make with eager delight during the moments preceding sleep, an
hour when images rise in our minds confusedly, and often, in the silence
of the night, thought acquires some magical power. He gratified his
mother's wishes; he bought the thirty acres of meadow land; he married
a young lady of Beauvais to whom his present want of fortune forbade
him to aspire. With a hundred thousand francs he planned a lifetime
of happiness; he saw himself prosperous, the father of a family, rich,
respected in his province, and, possibly, mayor of Beauvais. His brain
heated; he searched for means to turn his fictions to realities. He
began with extraordinary ardor to plan a crime theoretically. While
fancying the death of the merchant he saw distinctly the gold and
the diamonds. His eyes were dazzled by them. His heart throbbed.
Deliberation was, undoubtedly, already crime. Fascinated by that mass
of gold he intoxicated himself morally by murderous arguments. He asked
himself if that poor German had any need to live; he supposed the case
of his never having existed. In short, he planned the crime in a manner
to secure himself impunity. The other bank of the river was occupied by
the Austrian army; below the windows lay a boat and boatman; he would
cut the throat of that man, throw the body into the Rhine, and escape
with the valise; gold would buy the boatman and he could reach the
Austrians. He went so far as to calculate the professional ability he
had reached in the use of instruments, so as to cut through his victim's
Public-domain text, read in full here on John Shaqi.
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