But Cicero (in Bruto, cap. xviii.) sensibly argues, “nor can it be doubted that there were poets before Homer; which may be inferred from the songs described by him as sung in the banquets of the Phæacians and the suitors.” Fabricius makes a comment, that “it cannot be proved from this, that Greek poems, before Homer, were committed to writing, and so handed down to posterity.” As if the poems of Homer himself had been transmitted in any other manner than by oral tradition![18] The pre-existence of religious rites seems, indeed, to involve that of poetical cosmogonies and mythological hymns. Before the invention of letters there was no other traditionary record, or vehicle of popular instruction, or organ of religious homage and supplication, than verse: the conclusion follows that there were both poets anterior to the age of Homer,[19] and that these poets were also mythologists. Pausanias mentions Olen of Lycia; who, he says, composed very ancient hymns; and who in his hymn to Lucina, makes her the mother of Love: and he names Pamphus and Orpheus, as succeeding Olen, and as also composing hymns to the mythological Love. The doubt entertained by Aristotle and Cicero of the personal existence of Orpheus, neither affects the antiquity of the name, nor of that system of theology which bears the title of Orphic. The relics now extant under that name have, indeed, been suspected as the forgeries of Onomacritus, the sooth-sayer, who produced the hymns to the people of Athens: but Gesner is of opinion that he only altered the dialect of genuine Orphic remains, on which he ingrafted his own additions. The fragments which have come down to us appear certainly from internal evidence to contain a theology more ancient than that of Hesiod and Homer; for the nearer it approaches in any of its parts to the religious system of the Ægyptians, the stronger is the presumptive testimony of its antiquity.