"This should be the complement of desire and so forth, when it arises in the heart of man. "Under the name of soul's own nature, it should be the aggregate. "The fixed idea that all impressions are momentary, "This is to be known as the path, and is also styled emancipation. "Furthermore, there are two instruments of science, perception and inference. "The Bauddhas are well known to be divided into four sects, the Vaibháshikas and the rest. "The Vaibháshika highly esteems an object concomitant to the cognition; "The Sautrántika allows no external object apprehensible by perception; "The Yogáchára admits only intellect accompanied with forms; "The Mádhyamikas hold mere consciousness self-subsistent. "All the four (sects of) Bauddhas proclaim the same emancipation, "Arising from the extirpation of desire, &c., the stream of cognitions and impressions. "The skin garment, the water-pot, the tonsure, the rags, the single meal in the forenoon, "The congregation, and the red vesture, are adopted by the Bauddha mendicants."[39] A. E. G. FOOTNOTES: [Footnote 29: This śloka is quoted in the "Benares Pandit," vol. i. p. 89, with a commentary, and the latter part of the second line is there read more correctly, _'darśanán na na darśanát_.] [Footnote 30: Kusumánjali, iii. 7.] [Footnote 31: The Bauddhas are thus divided into-- (1.) Mádhyamikas or Nihilists. (2.) Yogácháras or Subjective Idealists. (3.) Sautrántikas or Representationists. (4.) Vaibháshikas or Presentationists.] [Footnote 32: Cf. Ferrier's Lectures and Remains, vol. i. p. 119. "Suppose yourself gazing on a gorgeous sunset. The whole western heavens are glowing with roseate hues, but you are aware that within half an hour all these glorious tints will have faded away into a dull ashen grey. You see them even now melting away before your eyes, although your eyes cannot place before you the conclusion which your reason draws. And what conclusion is that? That conclusion is that you never, even for the shortest time that can be named or conceived, see any abiding colour, any colour which truly _is_. Within the millionth part of a second the whole glory of the painted heavens has undergone an incalculable series of mutations. One shade is supplanted by another with a rapidity which sets all measurement at defiance, but because the process is one to which no measurement applies,... reason refuses to lay an arrestment on any period of the passing scene, or to declare that it is, because in the very act of being it is not; it has given place to something else. It is a series of fleeting colours, no one of which _is_, because each of them continually vanishes in another."] [Footnote 33: Principium exclusi medii inter duo contradictoria.] [Footnote 34: Query, Laṅkávatára?]