The Sense of Beauty: Being the Outlines of Aesthetic TheorySantayana, George
Philosophy
The Sense of Beauty: Being the Outlines of Aesthetic Theory
Santayana, George
Aesthetics
The truth which the theory is trying to state seems rather to be that
when we seek aesthetic pleasures we have no further pleasure in
mind; that we do not mix up the satisfactions of vanity and
proprietorship with the delight of contemplation. This is true, but it
is true at bottom of all pursuits and enjoyments. Every real
pleasure is in one sense disinterested. It is not sought with ulterior
motives, and what fills the mind is no calculation, but the image of
an object or event, suffused with emotion. A sophisticated
consciousness may often take the idea of self as the touchstone of
its inclinations; but this self, for the gratification and
aggrandizement of which a man may live, is itself only a complex
of aims and memories, which once had their direct objects, in
which he had taken a spontaneous and unselfish interest. The
gratifications which, merged together, make the selfishness are
each of them ingenuous, and no more selfish than the most
altruistic, impersonal emotion. The content of selfishness is a mass
of unselfishness. There is no reference to the nominal essence
called oneself either in one's appetites or in one's natural affections;
yet a man absorbed in his meat and drink, in his houses and lands,
in his children and dogs, is called selfish because these interests,
although natural and instinctive in him, are not shared by others.
The unselfish man is he whose nature has a more universal
direction, whose interests are more widely diffused.
But as impersonal thoughts are such only in their object, not in
their subject or agents, since, all thoughts are the thoughts of
somebody: so also unselfish interests have to be somebody's
interests. If we were not interested in beauty, if it were of no
concern to our happiness whether things were beautiful or ugly, we
should manifest not the maximum, but the total absence of
aesthetic faculty. The disinterestedness of this pleasure is, therefore,
that of all primitive and intuitive satisfactions, which are in no way
conditioned by a reference to an artificial general concept, like that
of the self, all the potency of which must itself be derived from the
independent energy of its component elements. I care about myself
because "myself" is a name for the things I have at heart. To set up
the verbal figment of personality and make it an object of concern
apart from the interests which were its content and substance, turns
the moralist into a pedant, and ethics into a superstition. The self
which is the object of _amour propre_ is an idol of the tribe, and
needs to be disintegrated into the primitive objective interests that
underlie it before the cultus of it can be justified by reason.
_The differentia of aesthetic pleasure not its universality._
Public-domain text, read in full here on John Shaqi.
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