And suddenly, this one o’clock in the afternoon to-morrow, which but a
short while ago was not in any way different from other hours, which
was only a quiet movement of the hand along the dial of his gold watch,
assumed an ominous finality, sprang out of the dial, began to live
separately, stretched itself into an enormously huge black pole which
cut all life in two. It seemed as if no other hours had existed before
it and no other hours would exist after it—as if this hour alone,
insolent and presumptuous, had a right to a certain peculiar existence.
“Well, what do you want?” asked the Minister angrily, muttering between
his teeth.
The gramophone shouted:
“At one o’clock in the afternoon, your Excellency!” and the black pole
smiled and bowed. Gnashing his teeth, the Minister rose in his bed to a
sitting posture, leaning his face on the palms of his hands—he
positively could not sleep on that dreadful night.
Clasping his face in his swollen, perfumed palms, he pictured to
himself with horrifying clearness how on the following morning, not
knowing anything of the plot against his life, he would have risen,
would have drunk his coffee, not knowing anything, and then would have
put on his coat in the hallway. And neither he, nor the doorkeeper who
would have handed him his fur coat, nor the lackey who would have
brought him the coffee, would have known that it was utterly useless to
drink coffee, and to put on the coat, since a few instants later,
everything—the fur coat and his body and the coffee within it—would be
destroyed by an explosion, would be seized by death. The doorkeeper
would have opened the glass door.... He, the amiable, kind, gentle
doorkeeper, with the blue, typical eyes of a soldier, and with medals
across his breast—he himself with his own hands would have opened the
terrible door, opened it because he knew nothing. Everybody would have
smiled because they did not know anything.
“Oho!” he suddenly said aloud, and slowly removed his hands from his
face. Peering into the darkness, far ahead of him, with a fixed,
strained look, he outstretched his hand just as slowly, felt the button
on the wall and pressed it. Then he arose, and without putting on his
slippers, walked in his bare feet over the rug in the strange,
unfamiliar bedroom, found the button of another lamp upon the wall and
pressed it. It became light and pleasant, and only the disarranged bed
with the blanket, which had slipped off to the floor, spoke of the
horror, not altogether past.
Public-domain text, read in full here on John Shaqi.
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