The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare's PlaysKeightley, Thomas
General
The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare's Plays
Keightley, Thomas
Drama -- Outlines, syllabi, etc.; Shakespeare, William, 1564-1616 -- Outlines, syllabi, etc.
It was probably also about this time that he wrote his very enigmatic
Sonnets, which Meres, in 1598, calls "his sugred sonnets among his
private friends," meaning perhaps which only circulated privately in
manuscript. I assign them this early date because their style and
language so strongly resemble those of his two poems and his early
plays, such as Love's Labour's Lost. They were not published till 1609,
and then not by the author himself. They seem to have been collected
from those who had the manuscripts by a Mr. W. H., whom therefore
the publisher in his dedication terms "the only begetter" of them,
"begetter" in the language of the time being getter, collector, &c. It
has been conjectured, with great probability, that many of them were
written in the person of Lord Southampton for the lady with whom he was
enamoured; and others may have been written for other persons, a usual
custom then of the poets of France and England. I feel almost convinced
that few or none of them were written in the poet's own person. Thus in
1598 he was only thirty-four years old, and yet some of them are in the
character of a man grey and advanced in years; even in 1609 he was only
forty-five.
Along with the Sonnets was published a poem named A Lover's Complaint,
of the genuineness of which I am rather dubious. There had already
appeared, in 1599, under the name of Shakespeare, a catchpenny
collection called The Passionate Pilgrim, in which are two of his
manuscript sonnets, and three of those published the preceding year in
Love's Labour's Lost, all of them with an altered text.
An account of the dates, &c., of Shakespeare's plays will follow this
Life. Here, therefore, it need only be remarked that they extended over
a space of less than twenty years (from 1592 to 1610?), during which
time he had an active share in the management of the two theatres,
and was also an actor for the whole or the greater part of it. He was,
as we may well suppose, with Jonson, Beaumont, Fletcher, and others, a
member of the club instituted by Sir Walter Raleigh, and which met at
the Mermaid Tavern in Bread Street, in which street, it may be observed
by the way, Milton was born during this period. Fuller has left us
some account of the wit-combats that used to take place at the Mermaid
between our poet and Ben Jonson.
Public-domain text, read in full here on John Shaqi.
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