The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare's Plays — John Shaqi
The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare's PlaysKeightley, Thomas
General
The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare's Plays
Keightley, Thomas
Drama -- Outlines, syllabi, etc.; Shakespeare, William, 1564-1616 -- Outlines, syllabi, etc.
From what precedes--few, very few, as the circumstances are--some
faint idea may be formed of Shakespeare as a man. As a poet, his works
present him to us, in all his fulness, as the most wonderful dramatic
genius that ever the world has seen, ranging with equal ease from the
lowest to the highest point of the whole scale of the drama, from the
broad farce of the Comedy of Errors, through the enchanting light
and graceful comedy of As You Like It, and similar pieces, up to the
sublimest tragedy of Macbeth, Lear, Othello. Of him alone can this be
asserted. We have no reason to suppose that the great tragic poets
of Greece, any more than those of France, excelled also in comedy;
while the dramatists of Spain notoriously failed in tragedy, and their
comedy, gay, spritely and animated as it is, depends chiefly on plot
and intrigue, and is greatly deficient in variety of character.
Mr. Dyce has justly observed how absurd it is to say that Shakespeare
was, though the greatest, only one of a race of contemporary giants.
The poetic greatness of Jonson, Fletcher, and Massinger was doubtless
beyond that witnessed in most other ages of the world; but surely
they were but as the stars to the sun when compared with Shakespeare.
In like manner I apprehend few will agree with the following character
of Shakespeare as a poet, drawn by Gifford in his Introduction to the
Plays of Massinger.
"The claims of this great poet on the admiration of mankind are
innumerable, but rhythmical modulation is not one of them; nor do I
think it either wise or just to hold him forth as supereminent in every
quality which constitutes genius. Beaumont is as sublime, Fletcher
as pathetic, and Jonson as nervous. Nor let it be accounted poor or
niggard praise to allow him only an equality with these extraordinary
men in their peculiar excellencies, while he is admitted to possess
many others, to which they made no approaches. Indeed if I were asked
for the discriminating quality of Shakespeare's mind, that by which
he is raised above all competition, above all prospect of rivalry, I
should say it was WIT."
Public-domain text, read in full here on John Shaqi.
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