The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical — John Shaqi
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
It is, moreover, known that Solomon composed three books which we
possess; and as the prophets of blessed memory spoke in three
different kinds of ways; the one, in a plain manner, containing
nothing beyond the obvious and literal sense, which is called all
silver; the second entirely symbolical, having no literal meaning
whatever, but consisting of mere allegories or parables, which is
called all gold; and the third comprising both the figurative and
the literal, which is called apples of gold (under plates of
silver); so Solomon wrote the three books—Ecclesiastes, which
belongs to the first kind; the Song of Songs to the second; and
Proverbs to the third. Remember these distinctions, and observe how
we are in danger at every step to mistake in the Law, Hagiography,
and Prophets, one for the other, and thus change life into death.
And this leads us to commit one of two errors; we either put into
the words a thing which is false, or, to say the least, make the
author say what he did not intend; in such a case, our words can no
more be called a commentary, but form a separate composition or a
book for themselves. I only call that a commentary which thoroughly
comes up to the design of the author of the book. The appearance,
however, of each book of the Bible will indicate to a judicious,
clear-headed, and intellectual man, whether it belongs to the one
or the other of the above-mentioned classes. We cannot here give
rules whereby to test this; it is sufficient to say that truth is
her own witness.
There is another important remark to be made, viz., that allusions
are made in this book to the writings of Moses, as, indeed, Solomon
has made in his other books. This all the prophets have done, in
order to explain expressions and synonyms which occur in the Law of
Moses, especially when referring to that part of the Law which
treats on the Creation and the Chariot, the chief objects of the
Law. We must study deeply to understand the wonderful works of the
prophets, and after them, the rabbins of blessed memory, in their
respective books; for when they intended to be profound, they did
not mention the same terms employed in the Law, but changed them
for other expressions which are somewhat synonymous with those in
the former, e.g., יין חמר, פרדם, wine, vine, vineyard, &c. From
this arose the great hyperbole in the writings of the Rabbins of
blessed memory, for wisdom was not hid from them. But this is not
necessary here. The above remarks will suffice for this book
according to our design. Praise be to God, and blessed be his name!
Amen.
Moses Ibn Tibbon, a celebrated writer of the same age, wrote an
elaborate commentary in which he maintains the same view that “the Song
of Songs represents the union of the RECEPTIVE or MATERIAL INTELLECT
with the ACTIVE INTELLECT.”
Public-domain text, read in full here on John Shaqi.
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