Rain falls, and in upright grey sheaves passes slowly before the fresh beech leaves like ghosts in shadowy procession; and once again the white clouds roll over the tops of the trees, and the green is virginal, and out of the drip and glimmer of the miles of blissful country rises the blackbird’s song and the cuckoo’s shout. The rain seems not only to have brightened what is to be seen but the eye that sees and the mind that knows, and suddenly we are aware of all the joy in the grandeur and mastery of an oak’s balance, in those immobile clouds revealed on the farthest horizon shaped like the mountains which a child imagines, in the white candles of the beam tree, in the black-eyed bird sitting in her nest in the hawthorn with uplifted beak, and in the myriad luxuriant variety of shape and texture and bright colour in the divided leaves of wood sanicle and moschatel and parsley and cranesbill, in the pure outline of twayblade and violet and garlic. Newly dressed in the crystal of the rain the landscape recalls the earlier spring; the flowers of white wood-sorrel, the pink and white anemone and cuckoo flower, the thick-clustered, long-stalked primroses and darker cowslips with their scentless sweetness pure as an infant’s breath; the solitary wild cherry trees flowering among still leafless beech; the blackbirds of twilight and the flower-faced owls; the pewits wheeling after dusk; the jonquil and daffodil and arabis and leopard’s bane of cottage gardens; the white clouds plunged in blue floating over the brown woods of the hills; the delicate thrushes with speckled breasts paler than their backs, motionless on dewy turf; and all the joys of life that come through the nostrils from the dark, not understood world which is unbolted for us by the delicate and savage fragrances of leaf and flower and grass and clod, of the plumage of birds and fur of animals and breath and hair of women and children. How can our thoughts, the movements of our bodies, our human kindnesses, ever fit themselves with this blithe world? Is it but vain remorse at what is lost, or is it not rather a token of what may yet be achieved, that makes these images blind us as does the sight of children dressed for a play, some solemn-thoughtful, some wholly gay, suddenly revealed to us in brilliant light after the night wind and rain?